The start of August has brought the Commonwealth Games to a close, along with the second part of my world-famous movie preview/reviews, in the form of The Odyssey. This Winter (Maybe Summer for you) has been very busy for the staff of Some Geek Told Me, since The Odyssey is the third preview/review of the season, which started with Star Wars: The Mandalorian and Grogu, and Supergirl, but will end with Spider-Man: Brand New Day, which just opened.

My astonishing and riveting preview for The Odyssey can be found here.

In my last review, I talked about how predictable I can be, specifically regarding my use of the same preview and review template and my habit of purchasing advanced movie tickets. However, I must warn you to brace yourself for a surprise: I have changed my usual approach. You can teach an old dog new tricks!

If you’ve read the preview, you would have discovered the shocking revelation that has shaken the pop culture world to its core! Well…maybe not that far. Anyway, because I was on my break, I watched The Odyssey without an advanced ticket, and the planet did not stop spinning. Who would have thought?!

Because we only have one cinema, it’s hit-or-miss whether the theatre you are in will be busy or not. Case in point, after purchasing my ticket, drink and snacks to fuel me through the upcoming three hours, and to cry about the cost, I noticed that the theatre had 23 people in it, which was very busy for a Tuesday night.

I also noticed that 2026 is the year of Zendaya, based on the fact that I was sitting in a theatre waiting to see The Odyssey, where I also experienced the trailers for Spider-Man: Brand New Day, and Dune: Part Three; two films that I will see at the cinema. Now, whether she is in Avengers: Doomsday or not, I can’t say, but whatever the case may be, she seems to be everywhere.

Alright, I think the only thing left to do is to cover the rules for the review:

1.) Please be aware there will be spoilers concerning the movie, so proceed with extreme anxiety and caution; even after 2,000 years.

2.) The aim of my reviews are not to rip apart the subject or trash it. If I liked the subject enough to watch it, then I’ll give my honest (possibly biased) opinion.

3.) I’m not a professional critic, so I’m not going to dive into deeper concepts and themes, or the art of filmmaking. I’m just a geek; always have been, and always will be.

And that is it. The key has turned, the coin has been flipped, and the Joker has escaped from Arkham again. So without further delay, let’s get on with the review!

One of the first things we need to discuss is whether I liked the movie. As usual, I did. What a surprise! Now, before I expand on this concept, I’m going to try really hard not to compare the film to the poem. Why is that? What a wise and just question that was, my liege. Hundreds of other people would have already done this, so my two cents wouldn’t change the narrative around that, nor will I try to judge Odysseus’ actions. Ok, maybe I’ll do that, just a little.

Things I liked:

I tend to allow my rants to flow, so there’s no real structure or order to them. I’ll start with one of the scenes that hit me the most: Argos. I did mention Ancient Greece’s most loyal dog in the preview, as in, I hoped he would be cut from the film. This is because I can’t handle the death of a fictional dog, much the same as the death of a real dog. No, that’s not true.

Basically, I didn’t want to see Argos finally see his master after 20 years and die, because I would start weeping. Oh no, Christopher Nolan hit me below the belt, with footage of Argos’ siblings being murdered, and Odysseus choosing him, thus saving him. Showing the audience the developing bond between Argos and Odysseus actually made me get all of my crying done, so when Argos died, his death was more like Luke Skywalker’s death in Star Wars: Episode VIII-The Last Jedi. For an audience member, that extra scene was great, but as a dog lover, it was brutal.

Anne Hathaway’s speech as Penelope to Tom Holland’s Telemachus, about being the one who has sat on the throne of Ithaca for the last 20 years and unofficially ruled, was powerful, poignant, and emotional. Penelope is imprisoned on her own island, and Hathaway did a great job at displaying the conflicting feelings she had about the whole crisis.

And speaking of crisis, Robert Pattinson’s Antinous was terrible, but in the best way. Antinous was a typical villain who sought to gain power and become a leader, but didn’t want to take any physical action himself to make things happen. He would rather make other people do the work, like ordering Telemachus to be ambushed and assassinated, but not be a part of it himself. Plausible deniability in action.

This concept was never more on display than during the slaughter of the suitors. Antinous, hiding from the battle and ordering others into the fight, made me laugh because it just reinforced how much of a coward he was, with the seeds planted back when he traded places with Sinon. Kudos to the fight choreography for that scene, especially having the weapons being fed into the fight via a hole in the ceiling.

The scene with the Laestrygonians was brutal as well, especially the part where they were capsizing the boats and killing the survivors. It would be a terrifying experience to encounter an enemy that seeks your total annihilation, without any verbal threats. The Ithacans were massacred, losing over 60% of their surviving forces. There were no compromises, almost like Terminators.

Charybdis and Polyphemus were both outstanding, so after the film, I researched how they were created, and like I just said, they were outstanding. I also thought it was a smart idea not to show you what the Sirens looked like, as well as what their song sounded like.

For the Trojan Horse, I watched Nolan’s interview about its origin. I thought it was very creative to have the horse wheel-less, as well as being half-buried in the sand. It goes against the idea and concept of the Trojan Horse, and as Katy Perry said, I liked it. Another scene I liked was the journey to the Underworld, or at least, a part of Hades. The imagery was superb and terrifying, as Sinon drank blood to talk, and the dead chased the survivors. Having the actors emerge from the black sand was genius and added to the surreal nature of the scene.

With Circe, I fell into a trap and expected to see the transformation of the soldiers into pigs, to be done via CGI. Well, don’t I need to go and stand in the corner with a dunce’s hat on?! I thought the practical application of Samantha Morton physically altering the face and bodies of Odysseus’ men was equally amazing and horrifying; especially the shot where she stretched her arm down a soldier’s throat was jaw-dropping.

I think it was important to keep visiting Zeus’ law or Xenia, as in being respected and honoured, versus breaking it. Throughout the film, xenia was constantly being respected and disrespected, which, of course, leads to the destruction of Troy and Odysseus’ 10-year journey home. When the “Sea People” were first mentioned, concerning a group of seafaring people, raping, pillaging, and killing along the various coastlines, I knew it was the Greeks, because let’s be honest, how could it not be?

I know The Odyssey and Nolan’s other recent film, Oppenheimer, forces their main protagonists to confront what they have unleashed upon the world, while witnessing the damage and carnage, having never stopped to consider the consequences of trying to be the smartest person in the room.

It’s always interesting to note that Odysseus knows how important xenia is to the gods, but he keeps breaking it; though it finally catches up with his morality and conscience on Ithaca.

There are other things I liked, but we can’t spend the whole time bogged down in the section, so as the All-American Rejects said, we need to move along.

Things I disliked:

Just like any movie, some elements didn’t sit well with me. The first is with the armour, mainly Agamemnon’s and the Trojans. Agamemnon, the King of Mycenae, King of Men, and the Supreme Commander of the Greek Forces, needed to look different from the other Greek leaders and kings.

His large black armour looked extremely bad-arse, but I think that’s the problem. The war has been raging for 10 years, though to be fair, it’s mainly been a war of attrition: The Greeks can not break into the city of Troy, and the Trojans can not make the Greeks leave.

So, my point is this: after 10 years, Agamemnon’s armour looked brand new. True, he would have had servants cleaning it for him, but it didn’t look like battle-hardened armour; it looked like it was freshly produced from the costume department. It was too shiny and clean.

Similarly, the first time we see the Trojans’ armour, they are riding on horseback towards Sinon. Sadly, like Agamemnon, their armour looked too neat, shiny, polished, new, and clean, rather than soldiers wearing armour that had seen 10 years of war. It took me out of the film; it wasn’t believable.

Another thing that took me out of the film was the casting, but it’s not what you’re thinking. Essentially, we had a film that featured Jason Bourne, Catwoman, Spider-Man, Batman, Nakia, Alpha, Violator, Mary Jane, Furiosa, The Punisher, and Shadowcat. I realise actors play fictional and non-fictional characters, but more importantly, they are more than their most famous roles. However, they can sometimes get type-casted, where we had scenes between Catwoman and Spider-Man, Batman and Violator, Punisher and Nakia, and everybody else in between.

It felt strange watching Peter Parker and Frank Castle go hunting, along with Bruce Wayne trying to marry Selena Kyle, but also Shadowcat, Mary Jane, and Alpha being angry with Jason Bourne. As I said earlier, it took me out of the movie at times, which, to be honest, is quite rare.

It reminded me of the time when I saw Les Misérables with my girlfriend (future wife) at the cinema. It was her favourite musical, so she was singing along with the rest of the audience, while I was watching a film about Wolverine raising Catwoman’s daughter, while being chased by Jor-El. I mentioned this to her after the film, and she was not impressed.

I was also let down by how Scylla looked, but I did like her nest. I was hoping her definitions would be clearer, but what do I know? As for Helios’ Cattle, I thought they would look grander than they did, though in hindsight, I realise why they chose to leave the cattle looking normal.

So, what about my preview questions?

• Will the film open with an exposition about the Trojan War? There was a single line at the start, but nothing else.
• Will the film start in the Iliad, and move into the Odyssey, or will it be told with flashbacks? It was a Nolan film, so it was told using a non-linear timeline.
• How graphic will the battle scenes be, or the monsters killing Odysseus’ men? I could be wrong about this, but to my memory, there were only three battle scenes, and they were intense for very different reasons.
• How will Nolan mark the passage of time in the film? Since Nolan did his time manipulation with the narrative, the biggest indicator of the passage of time was Odysseus’ beard, along with the growing age of Argos, Telemachus, and Eumaeus.
• Will there be an epilogue? There wasn’t an epilogue in the traditional sense, but the film did leave us with Odysseus abdicating the Kingdom of Ithaca to Telemachus, as well as patching up his marriage with Penelope.
• Tom Holland is 30 years old, so is it believable that he is playing a 20-year-old man whose mother is Anne Hathaway? I’ll be honest, the age difference bothered me more than I thought it would. Hathaway is 43 years old, while Holland is 30, playing a 20-year-old. Both Hathaway and Holland were fantastic, but I felt that either Hathaway was too young for the role or Holland was too old.
• How much screen time will be given to Odysseus’ return to Ithaca? It was difficult to determine, because, being Christopher Nolan, the film’s timeline was out of order.
• Will we see the plough and donkey scene? Sadly, no, we didn’t.
• Will a 21st-century perspective be placed on the film, considering it is set over 3,000 years ago? I’ve covered this earlier, but yes, the destruction and sacking of Troy brought this into focus.
• Will conservatives be correct that the woke casting choices derail the movie? Honestly, the casting of Elliot Page and Lupita Nyong’o was great; seriously, the movie was not derailed by them. Anybody who says that to you they are lying.
• How will the monster be shown? CGI or practical effects or both? I think it was a combination of both. I believe Charybdis, the Laestrygonians, and Polyphemus were practical effects, but Scylla was different.
• How will Calypso and Circe be portrayed? I thought Charlize Theron and Samantha Morton were awesome, with each actress showing how dangerous and fragile their characters were.
• Can the sacking and destruction of Troy be laid at Odysseus’ feet? Once again, I have already discussed, I believe the answer is yes.
• How much PTSD will Odysseus have, if any? A lot. Odysseus would have kept a therapist very busy and wealthy.
• How will Nyong’o go with her dual roles? I thought her role as Helen was small, while Clytemnestra was even smaller.
• Will there be any other appearances of Greek Gods, apart from Athena? If there were, I missed them.
• Will Aeneas be mentioned or shown? To the best of my knowledge, no, he wasn’t.

Again, please remember that this review wasn’t about a comparison between the poem and the movie. Overall, The Odyssey is amazing, especially with the grounded use of practical effects, but would you expect anything less from a Nolan movie?

And that brings another rant to a close for another week. Thanks once again for reading, following, and subscribing to Some Geek Told Me. Remember to walk your dog, read a banned book, dance on the FIFA Forward Enterprise’s grave, and I’ll see you next week for the final preview/review for the Winter series, with Spider-Man: Brand New Day. Three down, one to go! Booya!