Shakespeare movie adaptations that are hidden in plain sight: Vol 1

Step right up, step right up for another blog post detailing how humanity can cure cancer, solve climate change, and understand why children are weird. Oh, wait, I can’t answer any of those questions, sorry. At least not today.

Diving into the nearly five-year-old bag of suggested topics from the staff at Some Geek Told Me, I have selected a topic that, every six months or so, I decide to write, but talk myself out of it. However, the die has been cast, and the wait is over.

As hardcore followers of this amateurish attempt to educate people, you will know that this geek suffers from a Shakespeare affliction. I can’t recite speeches or explain what the hell the characters are saying. Though, to be fair, what I can do is explain the plots and the themes. Well, to be honest, it’s what I think the themes are, so I could be 80% wrong.

Granted, the works of William Shakespeare have lasted over 400 years, much to the disappointment of all secondary school students studying English. I love the motivations behind characters, both heroes and villains, as well as how relevant the stories can be to contemporary audiences.

Watching a Shakespearean movie or attending one of his plays automatically engages my brain to sit up straight, focus, listen, and try to keep up. Over the years, this has led the plays to be adapted into various media like movies, comics, novels, and TV shows, among others.

Some adaptations would keep Shakespeare’s language of Early Modern English, while others would use Modern English, but still keep to the plot. Some adaptations are set in 16th-17th-century Europe, others in modern times, while others are set somewhere in between or earlier.

For today’s lecture, we are going to look at one group of these adaptations: the movies. Typically, it’s quite easy to identify a Shakespeare movie adaptation, because of its name: William Shakespeare’s Romeo + Juliet, Henry V, Othello, Richard III, Hamlet, and Coriolanus, to select but a few.

They are direct adaptations, or as close as a film production can allow. However, young grasshopper, there are a small group of movies that are indirect adaptations of one of Shakespeare’s plays, but they are not advertised as that, for whatever reason. Several films can fit into this niche, so this blog post will be the first of many; the single consideration is that I’ll try very hard to only have one movie per play.

So, for your reading pleasure, I have collected four examples of movies that are secretly Shakespeare adaptations. I hope you enjoy this as much as I did writing it. Let’s begin now.


Image by beauty_of_nature from Pixabay

West Side Story (Romeo and Juliet)

We are going to start with a very obvious one, and for good reason. West Side Story was originally a musical adaptation of Romeo and Juliet, which had opened on Broadway in 1957. The production was a huge success, so a film was produced, based on the musical.

The film was released in 1961, which is what we will be comparing. In the Upper West Side of Manhattan, New York City, in 1957, is where we lay our scene. In comparison, Romeo and Juliet was written sometime between 1591 and 1595.

Both stories deal with star-crossed lovers, in the form of Romeo Montague and Juliet Capulet, along with Tony (Richard Beymer) and Maria (Natalie Wood) from West Side Story. The House of Montague and the House of Capulet are feuding families in Verona, with Romeo and Juliet belonging to opposite houses.

Maria’s older brother, Bernardo (George Chakiris), is the leader of the Sharks, a teenage street gang, looking to control the Upper West Side. The Jets are a rival gang of which Tony was a co-founder and former member.

Trying to keep the warring families at bay in Romeo and Juliet is Prince Escalus, with the equivalent being two characters, Lieutenant Schrank (Simon Oakland) and Sergeant Krupke (William Bramley) in West Side Story. Other similar characters are Mercutio, Romeo’s friend, and Riff (Russ Tamblyn), best friend to Tony; Tybalt, Juliet’s cousin, is Bernardo; while Count Paris, Juliet’s suitor, is Chino Martin (Jose De Vega).

The two stories follow events to their tragic conclusion, but with a subtle difference. In Romeo and Juliet, Mercutio is slain by Tybalt, Tybalt is then slain by Romeo, Paris is killed by Romeo, and both Romeo and Juliet kill themselves. Both Houses are in mourning, and thus, the feud ends.

In West Side Story, Riff is murdered by Bernardo, who, in turn, is killed by Tony. However, you are expecting Tony to kill Chino, but it’s the opposite; Chino shoots and kills Tony. Maria threatens to kill Chino, the Jets, and the Sharks because of their hatred, which has taken the lives of Riff, her brother, and her lover. In the end, she backs down, but she ultimately survives the carnage, and the feud ends.

On a personal note, Romeo and Juliet is often described as the world’s greatest love story. It’s not the ultimate love story; it’s one of the world’s greatest tragedies. Much like West Side Story, love, violence, hatred, and prejudice are woven into both tales to tell and explore the human experience. West Side Story is a love story as well as a tragedy. Tony dies, but Maria lives, so hope remains. As for Romeo and Juliet, their tragedy is complete, for never was a story of more woe, than this of Juliet and her Romeo.

The Lion King (Hamlet)

I’m sorry to point this out and possibly damage your childhood, but I am not the first person to say this; the story of The Lion King is actually Hamlet in disguise. Wait, just hear me out.

This tragedy has a prince who goes into mourning as his father, the king, has died. The prince’s uncle, his father’s brother, ascends the throne. The prince goes into exile with two friends and returns years later to a kingdom that is rotten.

If you had thought I had just explained Simba’s story when it came out in 1994, you would be correct; however, it also mirrors Hamlet’s journey, which was written between 1599 and 1601. The stories share characters and their equivalents, with Simba (Hamlet), Mufasa (King Hamlet), Scar (Claudius), Nada (Ophelia), and Zazu (Polonius), along with Timon and Pumbaa (Rosencrantz and Guildenstern).

Even though the early 17th-century royal court of Denmark is swapped for the plains of the Serengeti in Tanzania, the plots have parallel events, though not entirely. Both kings are murdered by their brothers, who take the throne and are terrible rulers; both kings appear as ghosts to their sons and give advice; Simba and Hamlet have a love interest in Nada and Ophelia, respectively; both princes go into exile; and Scar and Claudius both die at the end.

Disney could have gone all in with a more accurate adaptation with Simba killing Nala’s father by accident; Simba’s mother, Sarabi, marries Scar; Nala commits suicide by drowning; Simba goes mad with grief and vengeance; another pride of lions invades and takes over the Pride Lands; and lastly, Sarabi, Scar, and Simba, all die in the closing scene. It would have been a beautiful nightmare, with Simba/Hamlet’s story haunting a generation of children, all over the world.

10 Things I Hate About You (The Taming of the Shrew)

Viewed through a contemporary lens, The Taming of the Shrew can be some what problematic, considering it was between 1590 and 1592, when it was written. However, that did not stop Hollywood from having a crack at it. Back in 1999, 10 Things I Hate About You was released, and even though the titles were different, it was based on The Taming of the Shrew.

I hope the Bard can forgive me for breaking his comedic play down like this, but The Taming of the Shrew was set in Padua, Italy, where we met a nobleman, Baptista Minola, who has two daughters, Katherina and Bianca. Many suitors would like to marry Bianca, but her father has decreed that Bianca can only get married when Katherina does, but no man wants to because of her assertiveness, along with her quick and sharp wit.

Some plans focus on the suitors Hortensio and Gremio, but also include Lucentio, who also wishes to marry Bianca, and Petruchio, tasked with wooing Katherina. Typical Shakespearean romantic mischief ensues, with everyone ultimately finding love.

10 Things I Hate About You shares many plot points, names, and characters with The Taming of the Shrew. The film is set around the students who attend Padua High School. Walter Stratford (Larry Miller) has two daughters, and you guessed it, Katarina (Julia Stiles) and Bianca (Larisa Oleynik). Like a similar decree from Baptista Minola, Walter explains that Bianca is only allowed to date when her older sister does.

Enter Cameron James (Joseph Gordon-Levitt), who has fallen for Bianca, so he enlists help from Patrick Verona (Heath Ledger) to woo the anti-social Katherina, so Cameron can date Bianca. By the end of the film, everybody is happy like a 90s high school film should be. It also had a Shakespeare reference with Sonnet 141.

O (Othello)

If you have been keeping score, and why wouldn’t you be, we have discussed two tragedies and one comedy. I’m a bit inclined to favour the tragedies, since they can teach us a lot about ourselves. Case in point, here is another tragedy, Othello.

Written about 1603, the story of Othello is a blueprint of having it all and losing it to jealousy. It’s a cautionary tale about Othello, a military commander, who is tricked and manipulated by one of his lower-ranked officers, the traitorous Iago, into believing that his wife, Desdemona, is having an affair with another officer, the loyal Michael Cassio.

In some academic and literary circles, Iago is considered to be the worst villain in all of Shakespeare’s works, and it’s not a surprise; he ruins lives. By the end of the play, Iago had murdered his wife, Emilia, and Roderigo (a nobleman), while stabbing Cassio, but not fatally. Othello had murdered Desdemona by smothering her, because of Iago’s lies, then realised Iago was behind it all, and stabs him, but he survives.

Othello then commits suicide by stabbing himself. Iago is arrested and taken away, but famously refuses to explain his motivations. Othello has mischief and hijinks, but it is not comedic; it’s just fraught with paranoia and jealousy.

Like 10 Things I Hate About You, O is set in modern times, with American teenagers. Mekhi Phifer stars as Odin (Othello); Josh Hartnett as Hugo (Iago); and Julia Stiles is back again, but this time she plays Desi (Desdemona). We also have Andrew Keegan as Michael Cassio (Michael Cassio), Elden Henson as Roger Calhoun (Roderigo), Rain Phoenix as Emily (Emilia), John Heard as Bob Brable (Brabantio, Desdemona’s father), and Martin Sheen as Coach Duke Goulding (The Duke of Venice).

The story of O does not centre around soldiers and officers, but rather high school basketball players and students. O follows the events of Othello, with Hugo manipulating people and events, but the end is still the same. Hugo shoots and kills Roger, along with his girlfriend, Emily. Odin strangles Desi to death, then shoots himself after learning that his friend, Hugo, had caused all of the chaos. Hugo, vowing not to reveal his motivations, is arrested by the police.

As I said earlier, many more films have been based, even loosely, on Shakespeare’s works, and this blog post will return to discuss more of them. But like I also said, only one movie per play, so Romeo and Juliet, Hamlet, The Taming of the Shrew, and Othello are done, with more to follow.

Do you have a favourite movie that is secretly a Shakespeare adaptation? As always, please let me know.

That’s it for me this week. Thanks again for reading, following, and subscribing to Some Geek Told Me. Please remember to walk your dog, read a banned book, donate to a food bank, and I’ll see you next week, where I discuss comics for a change.


San Diego Comic-Con 2025: What did we discover?

So this is San Diego
And what have you done?
Another Comic-Con over
And a new one just begun
And so this is San Diego
I hope you had fun
The geek and the nerdy ones
The boomers and your mum.

Can you believe that San Diego Comic-Con has already checked into the hotel, trashed the bed, glued the furniture to the ceiling, drank all of the mini-bottles, and left again?! It’s amazing that the largest geek-laden event on the planet has been and gone for another year, but this means we get to discuss it!

Before we push on further, with what will be another pulsating lecture by yours truly, let’s establish what in the Nine Circles of Dante’s Hell I’m talking about. I’ve mentioned this before, so why mess with success!

San Diego Comic-Con is an opportunity for some of the world’s leading entertainment companies to showcase their upcoming products, including toys, anime, computer games, manga, books, comics, movies, and TV shows, to the ticket-paying fans and the rest of the world.

One day I’ll get to go there. I’ll probably have to sell a kidney and take out a second mortgage, but I’ll get there one day.

I can only imagine that you can get anything you need at San Diego Comic-Con: t-shirts, back issues, DVDs, action figures, books, and information. A lot of information. After reviewing the numerous announcements that I could find, I have selected a few that caught my interest. Even George Lucas made an appearance!

Sadly, just like a mogwai, there are some rules with something that I have written.

1.) I have not read or seen every article or trailer released from San Diego Comic-Con. I can only discuss the things I know of, but also things I’m interested in.
2.) Just because a product is on my list doesn’t mean I’ll get to see or purchase it. Quite simply, if something has landed on this list, it has my attention, regardless of whether I watch or purchase it.
3.) I have included some information and trailers that were released just before San Diego Comic-Con. This is because I’m the lead writer on this venture, so what I say goes.
And with that, let us be entertained by franchises and companies fighting each other for our hard-earned money!


Credit: San Diego Comic-Con

Literature: (Books and Comics)

This year, this section is quite sparse for me. All of the Star Wars: The High Republic books have been released, but I have not read all of them yet. As for the comics, there were a lot of interesting announcements, namely Ultimate Endgame, but also that Absolute Wonder Woman won the Eisner award for the Best New Series, by Kelly Thompson and Hayden Sherman.

The four main announcements that I am definitely going to find are:

Deadpool/Batman #1 (From Marvel)

Credit: Marvel/DC

Batman/Deadpool #1 (From DC)

Credit: DC/Marvel

Absolute Batman 2025 Annual #1

Credit: DC

Absolute Evil #1

Credit: DC

(Yes, I’m still a sucker for the Absolute Universe. The titles are nailing the characters, they are superb.)

Movies:

Spinal Tap II: The End Continues

This is Spinal Tap is one of my favourite films, as it’s chock-full of comedy gold and gems. It came out in 1984, so I thought the time for a sequel to the film was dead and gone. Imagine my surprise when I saw the trailer for Spinal Tap II: The End Continues!

I never knew about the existence of this film, so I will definitely be watching that. It’s made me search for the original to watch it again. The premise of the film is that the band had broken up, but they are reuniting for a one-night-only show. You can dial that to 11.

Predator: Badlands

I’ve seen Prey, and I thought it was a positive chapter in the Predator franchise. As for Predator: Killer of Killers, I have not seen it, so I can’t comment about it. In saying that, Predator: Badlands looks intriguing for two major reasons.

The first reason is that the writer and director of Prey and Predator: Killer of Killers, Dan Trachtenberg, is back behind the camera for the next Predator instalment. Like I said before, even though I haven’t seen Predator: Killer of Killers, Prey was enough for me to respect Trachtenberg’s vision for the films.

The second reason is that it appears Predator: Badlands is blending Predator with Aliens concepts, namely a synthetic created by the Weyland-Yutani Corporation. Is Predator: Badlands offering us a soft reboot of Aliens vs. Predator, or is it going somewhere else? I don’t know, but I want to find out.

The Long Walk

I’ve read a lot of Stephen King books, but I have not read all of them, and The Long Walk is one of them, I’m ashamed to admit. I understand that The Long Walk is based on the book, though how faithful it is to the source material, I can’t answer that question.

The concept seems simple. Wikipedia states that, “In a dystopian United States ruled by a totalitarian regime, a group of young men enter an annual walking contest in which they must maintain a speed of at least three miles per hour or risk execution. The contest ends when only one walker remains alive.”

I’ve been a King fan since before Pennywise and Maturin emerged from the Void, or Roland Deschain’s first turning of the wheel. At some point, I will be watching The Long Walk.

Television shows:

Peacemaker: Season 2

I’ve said this before, but Peacemaker had no reason or right to be as good as it was. It was brutal, hilarious, and creative, all at the same time. Essentially, what I’m saying is that I thoroughly enjoyed it. So, my expectations for the second season have increased.

John Cena had a cameo as Peacemaker in Superman, and from what I understand, the show is set after the events of the film. It will also explore the ramifications of Christopher Smith (Cena) killing Colonel Rick Flag Jr in The Suicide Squad. If the new season is as funny as the first, it will be great!

Alien: Earth

Alien: Romulus was a hit last year, but this is the first time the Alien franchise has dipped its toes into the world of television. On paper, Alien: Earth sounds and looks interesting; a spaceship crashes on Earth, carrying some nasty human-killing creatures, including the Xenomorphs.

It looks creepy as hell, and the set designs are impressive. I could be wrong about this, but this is the first time in canon that Xenomorphs have reached Earth, and it’s going to be horrific, but only in a good way. If only I’m brave enough to watch it.

IT: Welcome to Derry

I’ve been fortunate enough to have read the novel, seen the mini-series, and both movies, so IT: Welcome to Derry will not be an unknown concept to me. From what I understand, Bill Skarsgård is back as everybody’s favourite human-eating clown-entity, Pennywise, as well as having Andy Muschietti attached to the project.

Apparently, the show is set in 1962, which makes it a prequel to the two movies. Since it’s based on work from Stephen King, we can only imagine we may have cameos from other characters. I’ll watch with one eye open.

The Legend of Vox Machina: Season 4 

My wife got me into Critical Role’s The Legend of Vox Machina, as it was something we both enjoyed watching together. I know next to nothing about the upcoming season, so I’m happy for it to be a surprise. Though it wouldn’t be nice for Grog to have a love interest! Imagine the carnage!

The Mighty Nein

And speaking of Critical Role, the Mighty Nein (or The Sensual Seven?) will be released later this year. I believe the show is set 20 years after The Legend of Vox Machina, as it’s on the same world, just a different continent.

If The Legend of Vox Machina is any gauge, then my wife and I will have to watch The Mighty Nein together.

Avatar: Seven Havens

To the best of my knowledge, there was no trailer for Avatar: Seven Havens, but Nickelodeon released an image from the show. The story is set after The Legend of Korra, with the new Avatar, who is an earthbender.

The world of Avatar: The Last Airbender still has some surprises and adventures for us to explore, and I can’t wait for UMC1 and UMC2 to experience them as well.

Courtesy of Nickelodeon

Like I said previously, I didn’t catch all of the news, so maybe I missed some important news. What announcements from San Diego Comic-Con were you interested in? As always, please let me know.

Alright, that’s another blog, for another week. Remember to walk your dog, read a banned book, speak out against the Palestinian genocide, and I’ll see you next week for the overdue return of the Solar System’s worst tour!


The Fantastic Four: First Steps-Movie Review

The world is trucking along, experiencing earthquakes in Russia; France, Canada, and the United Kingdom recognising the State of Palestine; Kash Patel hanging out with Winston Peters; and a convicted felon was discovered cheating at golf on his own golf course, as well as a new Some Geek Told Me blog, in the form of The Fantastic Four: First Steps-Movie Review.

It seems only last week that I was writing the preview for the movie, and time has passed in the only way it can: painfully slowly during the week and quickly at the weekend, bringing us to this day. So, without prancing around like a person who likes to prance around, let’s move into one of the world’s most beloved literary works, a Some Geek Told Me movie review!

You know how the classic story goes:

  • I buy a movie ticket days in advance.
  • I arrive at the cinema and purchase a drink.
  • I proceed to enter the theatre without anybody asking to see a ticket. Every. Single. Time. It’s amazing.

Anyway, the theatre was about 1/3 full, which for a Tuesday night, was not too shabby. It was one of those times there was no allocated seating, so I planned to go in the middle of the back row; however, a young couple had already nabbed the coveted section, so I sat a few seats away from them. No one is perfect.

As for the trailers, it was another case of showing trailers for children’s movies, and not a single movie aimed at adults. In saying that, an argument could be made that Pixar’s Hoppers could fit into both groups.

So after the trailers had finished, it was time for the Fantastic Four to enter the MCU! As always, let’s go over the rules of the review.

1.) Please be aware there will be spoilers concerning the movie, so proceed with extreme anxiety and caution.

2.) The aim of my reviews are not to rip apart the subject or trash it. If I liked the subject enough to watch it, then I’ll give my honest (possibly biased) opinion.

3.) I’m not a professional critic, so I’m not going to dive into deeper concepts and themes, or the art of filmmaking. I’m just a geek; always have been, and always will be.

I’m not here to lick windows, so let’s get on with the review!


Credit: Marvel Studios/Disney and my local cinema

First things first, did I like the movie? I did actually. I realise that the MCU has been chugging along since 2008, and The Fantastic Four: First Steps is the 37th chapter, but I liked it. I really did. I mentioned in the Thunderbolts*: Movie Review, that I hoped that the MCU could continue its momentum, so maybe they have.

Things I liked:

A few things stand out to me from this film. The first topic of conversation was the visuals, which included the sets and special effects. With the way modern movies are filmed, you have no idea if the performers are standing on a physical set or just standing in front of a green screen. It’s the same with The Fantastic Four: First Steps, since some of the sets looked so real and tangible, I couldn’t tell the difference between reality and CGI. To me, that’s a good thing.

This, of course, leads into the gorgeous retro-futuristic aesthetics, which ranged from period costumes to the buildings to the Fantasticar. Earth-828 feels like a lived-in world, and in my humble opinion, that’s an extraordinary thing.

With visuals for the characters, well, I was not disappointed. This was the first time that Mister Fantastic’s elastic powers did not look weird and fake. Also, when the Human Torch took flight to see what was causing the light show, as in the Silver Surfer’s arrival, I think there was a lens flare on the camera, coming off his flames.

The scene with Sue making her womb transparent, so Reed could see Franklin, was creative and beautiful. As a father, I would have loved to have seen UMC1 and UMC2 as Reed had done. The film-makers had thought outside the box with Sue on that one. That was transformative.

Sue also had two awesome moments, when she explained that she would not be sacrificing the world for her son, just like she would not be sacrificing her son for the world. The other was when she started pushing Galactus through Manhattan and into the teleportation portal.

Like I said last week about watching the trailers, Ben Grimm looked spectacular, and he was. It was the best live-action version of the Thing I have ever seen, and that included developing his personality, losing the angst from the previous films, and giving the public the real, “Blue-Eyed Lovin’ Thing.” Grimm was happy being the Thing, which provided an anchor point to the film.

When a comic-book character gains powers or is transformed, they traditionally look the same or have a slight variation. Within Marvel, Archangel has his wings, Wolverine has his claws, and even Bruce Banner can change into the Hulk and back again. But like Nightcrawler, Triton and many others, the Thing can not transform into his human self again, because he is a rock creature, 24 hours a day, seven days a week.

Ben Grimm is always the Thing, all of the time, but he’s alright with that. He’s upbeat, being a rock creature, so he may not like it, but he has accepted it; he’s relatable. He’s not moping about trying to find a cure, because he was too busy making friends and protecting his neighbourhood. It was stunning to see his eyebrows!

The dialogue among the members of the Fantastic Four was excellent, just as I had hoped. Each character brought something unique to the conversation. It was interesting to see Reed struggling to find an answer to a question, while Johnny was portrayed as intelligent and creative. Ben grew a beard, adding to his character development, and Sue once again demonstrated that she is the most powerful member of the team.

I had previously seen the Silver Surfer’s entrance on a video before the film opened, which featured her saying, “I herald his beginning. I herald your end. I herald… Galactus”. I have to admit, that speech did not lose any of its potency in the theatre. Julia Garner was terrific as the Herald of Galactus.

I thought Paul Walter Hauser’s Harvey Elder / Mole Man was going to be just a cameo, but he came back to play a larger role, along with a few one-liners, with one destroying Johnny by commenting on his clothes. I’m going to remember that burn.

Finally, we have reached the Destroyer of Worlds, Galactus. As I mentioned last week, 2007’s Fantastic Four: Rise of the Silver Surfer featured Galactus, but it resembled a world-eating cloud entity. The film-makers changed this by having Ralph Ineson play Galactus, and I loved it. Seriously, seeing Galactus sitting on his throne, as well as stomping around Manhattan, was staggering.

Galactus’ height will always be up for debate, but having a man hundreds of metres tall walking around is an unsightly and ludicrous image; however, it was still fantastic. Who else could wear such an audacious helmet but Galactus? I was so pleased with his appearance.

Things I disliked:

This MCU film was a little odd for me, because I really liked it. I came out of the theatre, feeling quite positive about it. Maybe I was still riding the wave from Superman, or watching Galactus and the Thing, but I was thoroughly entertained. However, as I have said before, no movie is 100% perfect.

Over the years, I have noticed a recurring theme in TV shows, movies, and comics that annoys me. While I understand that the Fantastic Four originated from a comic book, I often find it frustrating that alien invasions or attacks from other countries typically take place in the United States, specifically in New York.

DC are guilty of this, but the greatest offenders are Marvel. I know their target audience is Americans, but as a non-American, it can be tiresome to read or watch aliens or foreign countries invade America. Aliens invading New York, or at the least, the United States, has been used so many times in movies that it’s very predictable.

My example to this problem is this: the Silver Surfer arrives on Earth, and she could go anywhere on the planet, absolutely anywhere, but not only does she decide to visit the United States, but New York, no less. And the very first humans on the planet that she meets happen to be the Fantastic Four?!

Why didn’t Shalla-Bal decide to visit India or China, two of the most populous nations on Earth? She could have gone to Indonesia, Brazil, Japan, Russia, Nigeria, Pakistan, Tanzania, or Greece, but she didn’t. She went to the United States, like no other country exists.

As for the city, New York ranks about 10th in size on the globe, with Tokyo, Delhi, Shanghai, and São Paulo all larger. Why didn’t the Silver Surfer arrive in Mexico City, Cairo, Mumbai, or Beijing? Is English the only human language she knows? I understand the plot needs to be driven forward, but it still could have worked if the Silver Surfer arrived in another country, and the Fantastic Four travelled there to greet her.

Another point I want to address is that I do realise the film was not about the Silver Surfer, but the scene where Johnny talks to Shalla-Bal in her native language and forces her to confront her actions was creative. The guilt of her being the Herald of Galactus had finally caught up with her, forcing her to face her mistakes.

After surrendering to the torment, Shalla-Bal took off, then finally appeared to save Johnny and to push Galactus through the portal. It’s a small issue, but the Silver Surfer disappeared for maybe 20-25 minutes of film time, to suddenly betray her lord and master; but as the viewer, you’re not given any insight or more explanation about her betrayal. Where did she go after flying away from Johnny? What thought processes led her to rebel against Galactus?

Like I said, it’s a small issue, but as a fan, I would have appreciated seeing the Silver Surfer wrestle with her past deeds against her soul and loyalty to her lord. It would have added more depth to the character and explained why she decided to stand up to Galactus, rather than being a plot device or a deus ex machina.

For my final point, we need to discuss Franklin, because Marvel has opened Pandora’s Box for a fourth time by introducing characters with immense power levels. First, it was the Scarlet Witch, then Adam Warlock, The Sentry, and now, Franklin Richards. Four characters with reality-warping powers or super-enhanced strength abilities.

Yes, the Scarlet Witch is dead, but the multiverse is a massive place, so never say never. So this leaves Adam Warlock, the Sentry and Franklin to solve, possibly, any problem in the MCU. In the comics, Franklin is highly overpowered. I mean, in one future-set story, Franklin became Galactus.

Franklin is a significant and complex character in Marvel lore, which makes his introduction into the MCU challenging. Film-makers must take their time to explore his powers thoroughly, providing detailed attention to the plots of future projects. They need to exercise caution in how they portray him. I have concerns about their approach, as they cannot overlook Franklin, just like they cannot ignore Adam Warlock and the Sentry.

The die may have already been cast because of the time-jump in the mid-credits scene, when Sue left the room to retrieve a book for Franklin, to discover a person kneeling and talking to Franklin. That person was Doctor Doom. So, it appears that the Ruler of Latveria is trying to recruit, or maybe already has recruited Franklin, which will directly lead into Avengers: Doomsday, which is out in December 2026.

Ironically, I discovered this video explaining a theory of Doctor Doom’s origin in the MCU, which is compelling.

And speaking of theories, my theories about Galactus and Franklin were wrong, but not 100% wrong. The correct answer was a little from Theory A, and a little from Theory B, to create Theory C.

Theory C: The Silver Surfer finds Earth as per her instructions to locate planets full of life. She alerts Galactus of the snack. However, before Galactus can get his Uber ride ready, the Fantastic Four turn up to talk with him. It’s at this point that Galactus detects Franklin’s power level. He then offers Reed and Sue a deal, to trade Franklin for the Earth.

Like Superman, I have only added these criticisms because I’m just being pedantic, as I liked the majority of the movie.

So, what about my preview questions?

  • Where is the film’s continuity in the MCU? I would say it is set before Thunderbolts* but before or during Avengers: Doomsday.
  • Does Galactus destroy the Earth, or will he be defeated by the Ultimate Nullifier? To the best of my knowledge, there was no Ultimate Nullifier reference, as he was defeated by being pushed through a teleportation portal, thus saving Earth.
  • Will the dialogue between the members of the Fantastic Four be smart, witty, and heartfelt, or will it tank? I think overall, the dialogue was great. It was witty and sharp when it needed to be, just as it was dramatic and serious as the plot developed.
  • Considering the movie takes place on another Earth, will there be any main MCU cameos or references? Even though there were no direct MCU cameos and references, there were still Marvel references. We had the Fantastic Four battling Peotr the orangutan, one of the Red Ghost’s Super Apes. Apparently, John Malkovich played Red Ghost, but the scenes were cut from the film. We also had Reed mention he had been tracking the Puppet-Master, the Wizard, and Diablo, as well as featuring the Giganto fight scene, mirroring the cover of The Fantastic Four #1.
  • Will the Yancy Street Gang appear? Please be a yes! No, however, I believe a news report mentions, “The Yancy Street Bookies.” I may have misheard it, but that’s what it sounded like.
  • Does Franklin develop and grow super quickly? No, Franklin developed at the normal rate. The film established the pregnancy discovery in Act 1, then did a montage of events to signal time passing. Franklin was born, and when the mid-credits scene appeared, there was a time-jump of 2-3 years, with Franklin appearing as a preschooler.
  • How large a role will H.E.R.B.I.E. play? It concerned me that H.E.R.B.I.E. may have been a punching bag or been used as a jester-type character, but I was wrong. All of the members of the team treated H.E.R.B.I.E. like he was a part of the family, because he was.
  • Will the origin of the Fantastic Four be explained as being set in the present, but with a flashback, or will the characters gain their powers in Act 1, then have a time jump to progress the story? This was clever because when we meet the Fantastic Four for the first time, they already have their powers. Their origin story was told through the means of The Ted Gilbert Show, which used “old” TV footage of the Fantastic Four’s departure to space and arrival back to Earth, four years ago.
  • Are Reed and Sue aware of Franklin’s abilities? Do they witness him doing things or just detect his power level using technology? As you can imagine, both parents are concerned; Reed more than Sue, that Franklin could inherit some abilities or powers from his parents. Reed conducted several tests, and the results are negative. They only learn of Franklin’s powers because Galactus used the Power Cosmic to detect and scan Franklin while he was in the womb. Later on, Franklin resurrects Sue from the dead after the final battle.
  • Will the Silver Surfer betray Galactus? Yes, she did, and I’ve already discussed that question. Thanks for asking.
  • Will there be any Negative Zone, Doctor Doom, Annihilus, or Valeria Richards references? Yes and no. There were no Negative Zone, Annihilus, or Valeria Richards references, but Doctor Doom made a mid-credits cameo, along with his empty Latverian seat at the United Nations.
  • For Galactus’ origin, how will it be explained? Reed tried to explain Galactus’ origin, but because of Galactus’ power level and age, Reed was not confident of his findings, since Galactus was beyond Reed’s level of understanding and research. In saying that, Reed mentioned that Galactus may have come from a time before the Big Bang, which paired with the information Galactus was chatting about, while sitting on this space throne.
  • On Earth-828, is Reed considered to be the smartest person on the planet? That was unclear, but he’s certainly regarded as one of the smartest people on the planet.
  • Does Johnny say “Flame On!” to activate his powers? No, he didn’t; however, his action figure did.

Just before I end this awful review, I want to say how important it was to have a small tribute to Jack Kirby at the end of the film. It brought a smile and tear to my face.

Overall, I have to say well done to Marvel, because I thoroughly enjoyed it. The Fantastic Four: First Steps was indeed a great first step into Phase Six.

Anyway, don’t trust me, go watch it for yourself, so you can be the judge. Have you seen The Fantastic Four: First Steps? Please tell me your thoughts about it. I would love to know.

Ok, that’s another blog for another week. Thanks once again for reading, following, and subscribing to Some Geek Told Me. I toil away to keep myself sane and hopefully entertain you. Remember to walk your dog, read a banned book, keep pushing for more international recognition of Palestine, and I’ll see you on Saturday for an extra blog.


The Fantastic Four: First Steps-Movie Preview

I have just wrapped up the first movie preview/review for the DC Universe (DCU) with Superman, but here we are once again, at the dawn of a new Marvel Cinematic Universe (MCU) film, The Fantastic Four: First Steps.

I typically don’t do movie previews/reviews back-to-back, but since DC and Marvel decided to duke it out this July at the box office, what’s a geek to do? I checked with my wife to see if I was allowed to go out twice in a month, even on a work night, and I was given the green light! Cool.

As you are well aware, The Fantastic Four: First Steps is the third MCU film to be released this year, after Captain America: Brave New World and Thunderbolts*, in addition to being the 37th film in the franchise. In New Zealand, the film opened on Thursday 24th July, which is a day before it opened in the United States. There were no advanced screenings for the film; however, I have obtained a ticket for Tuesday 29th, because, say it with me, I’m a geek.

For the uninitiated, this will be the fifth live-action movie featuring Marvel’s First Family, which includes The Fantastic Four (1994, an unreleased movie), Fantastic Four (2005), Fantastic Four: Rise of the Silver Surfer (2007), and Fantastic Four (2015). This, of course, does not include the Mister Fantastic cameo in Doctor Strange in the Multiverse of Madness, or the Fantastic Four references throughout Deadpool & Wolverine, along with the Human Torch cameo.

Since 20th Century Fox owned the movie rights to the Fantastic Four and other characters related to them, they produced Fantastic Four, Fantastic Four: Rise of the Silver Surfer, and Fantastic Four, with the 2015 version being a reboot. I’ll be coming back to these films for further discussion, so in the interest of speeding up the writing process, I’ll refer to Fantastic Four as 2005, Fantastic Four: Rise of the Silver Surfer as 2007, Fantastic Four as 2015, and The Fantastic Four: First Steps as 2025. Clear as mud?

The original 1994 film has never been released, and its history is too stupid to really mention, so we’ll just move on and not mention it again.

To lay some groundwork, Disney purchased 20th Century in 2019, and since Disney owns Marvel, it has given Marvel the first real opportunity to bring the Fantastic Four into the MCU; although Namor, a traditional Fantastic Four friend/enemy, was introduced in 2022’s Black Panther: Wakanda Forever.

The Fantastic Four were first introduced in…would you believe, The Fantastic Four #1, back in 1961, so comic book fans are well-versed with the characters and their powers. In saying that, the 2025 movie has been a long time coming.

We know that the cast has Reed Richards / Mister Fantastic (Pedro Pascal), Sue Storm / Invisible Woman (Vanessa Kirby), Johnny Storm / Human Torch (Joseph Quinn), Ben Grimm / The Thing (Ebon Moss-Bachrach), Harvey Elder / Mole Man (Paul Walter Hauser), Shalla-Bal / Silver Surfer (Julia Garner), H.E.R.B.I.E. (Humanoid Experimental Robot B-Type Integrated Electronics) being voiced by Matthew Wood, and arguably, the big attraction, Galactus, played by Ralph Ineson.

I believe the film’s budget was about $200 million, similar to Thunderbolts* and the expectations for 2025 to be a success at the box office, and with critics and fans is high, considering Superman is soaring, and recent MCU films like Thunderbolts*, Captain America: Brave New World, and The Marvels have not fared too well.

Will The Fantastic Four: First Steps be the first great step into Phase Six? Let’s not watch the paint dry because, It’s clobberin’ time!


Credit: Lego and Disney/Marvel Studios

Am I looking forward to watching The Fantastic Four: First Steps?

I always ask this question, and the answer is always yes. Apart from the two cameos from Mister Fantastic in Doctor Strange in the Multiverse of Madness and The Human Torch in Deadpool & Wolverine, we have not had a film where the Fantastic Four are set in the MCU.

As I understand it, the film is set on Earth-828, which is in the MCU’s multiverse, so at some point, the Fantastic Four will interact with the main MCU characters on Earth-616. This was hinted at with the end-credit scene in Thunderbolts*.

Like many other comic book fans, I was excited about 2007 to see the Devourer of Worlds, Galactus, in all his immense glory. However, in my personal opinion, instead of portraying a gigantic man, towering above buildings and wearing a ridiculous helmet, the studio opted for the safer, but less accurate adaptation of Galactus by presenting him as a world-eating cloud entity. It was a disappointment to say the least.

But do not despair, because in this movie, the God of Oblivion will be presented as comic book accurate as possible, with a live-action performance from Ralph Ineson, as an enormous man, rocking one of the coolest headpieces in pop culture.

To be honest, I’m going to the movie to see the Fantastic Four, but the main draw for me is Galactus. I’ve always believed, and others seem to agree, that Galactus transcends concepts of good and evil. He simply exists as a force of nature and cannot be defined by human morals.

If a lion is chasing a zebra, the zebra perceives the lion as evil. The lion is trying to kill the zebra, which places the lion as a villain and the zebra as a victim, or at the very least, a heroic figure.

However, from the lion’s perspective, it does not see itself this way. The lion is a carnivore, so if it does not hunt, kill and eat prey, it will die of starvation, and so will its family. The lion is simply operating as it was born to do, which is similar to Galactus.

If Galactus marks a planet for consumption of its life force, the sentient organisms of that planet will view Galactus as the ultimate villain. He is going to destroy their world, lives, art, history, culture and everything else, because he wants to. To them, Galactus is evil personified.

And just like the lion, Galactus does not see himself like that; he’s beyond this. Galactus is cursed with a hunger that can only be sated by the consumption of a planet’s life force. The greater the amount of life on a planet, the greater the substance for Galactus. If Galactus does not consume planets, he will die. To him, he is simply doing what he needs to do to survive.

This makes him a fascinating antagonist, because yes, he commits evil and villainous acts, but it’s not because he’s evil. If he does not destroy worlds, he will die. Galactus is choosing to live, which means all life in the universe needs to fear his arrival, or pray he never finds them.

This, of course, brings us to the Silver Surfer. The original Silver Surfer in the comics and in 2007 was Norrin Radd, who was a native of the planet, Zenn-La. Eventually, Galactus came knocking on Zenn-La’s door, so Radd offered him a deal: if Galactus left Zenn-La alone, along with his lover/wife, Shalla-Bal, Nadd would serve Galactus by seeking out other worlds for him.

The Devourer of Worlds agreed to this and shared a part of the power that he has, the Power Cosmic, and transformed Nadd into the Silver Surfer, the Herald of Galactus. As the Silver Surfer, Nadd travels the universe, seeking out worlds with an abundance of life for his master’s diet, although Nadd tries to get around this by supplying Galactus with planets that support little or no life.

In 2025, Julia Garner plays the Silver Surfer, but she is also Shalla-Bal. Whether her origin is explained or her connection to Norrin Radd is revealed or mentioned remains to be seen.

Over the years, the Silver Surfer has rejected Galactus numerous times, as well as seeking out adventure in the universe, by redeeming themselves by helping and saving lives, using the Power Cosmic. To me, the Silver Surfer is on a never-ending quest to gain back their soul by correcting their past mistakes; it’s a great character. In saying that, the character has probably changed since I read about them.

To some people in the universe, the Silver Surfer is just as guilty as Galactus for the destruction of planets. Yes, it’s true that the Silver Surfer personally does not consume a planet, but they identify the planet and reveal its location to Galactus. Whether Galactus would ever find that particular world, with or without the Silver Surfer’s assistance, is moot when it is being consumed.

The Silver Surfer offers us an amazing moral dilemma: to protect and save your family and loved ones, would you sacrifice millions of worlds and billions of sentient life-forms, in order to maintain their protection? Would you sacrifice your soul, or even a part of it, to protect the people you love, but at the cost of billions, if not trillions of people? Could you trade a planet for a person?

This awkward and complicated question of morality is presented to us in the most often mocked and ridiculed literature, which to some, is viewed as intellectually inferior or only for children: comic books.

What is the movie about?

According to Marvel.com, the premise is this:

Set against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel Studios’ ‘The Fantastic Four: First Steps’ introduces Marvel’s First Family—Reed Richards/Mister Fantastic, Sue Storm/Invisible Woman, Johnny Storm/Human Torch and Ben Grimm/The Thing as they face their most daunting challenge yet.

What can we expect?

The running time is 114 minutes, which means it’s less than Captain America: Brave New World and Thunderbolts*.

In the teaser trailer and following trailers, we have been given footage of the various members of the Fantastic Four. The 2005 and 2007 special effects for Reed, Sue, and Johnny were fine for their time, with 2015 improving on them.

2005 had a budget of around $100 million, 2007 had $130 million, while 2015 had $120 million to work with. Because 2025 has the backing of Disney, bankrolling $200 million, we should expect some upgraded visuals, especially with Mister Fantastic.

To add to this, The Thing looks amazing! 2005 and 2007 required Michael Chiklis to wear practical effects to be The Thing, but for 2015‘s Thing, Jamie Bell’s performance was motion-capture. Ebon Moss-Bachrach’s portrayal of the Blue-eyed lovin’ thing was another motion-capture performance, but this version of the Thing looks a lot more comic-accurate than others presented before.

There should be great detail in examining the different relationships within the family, as well as how they interact with each other. Reed will be clever, but aloof, Sue will be caring and strong, Johnny will be a joker and playboy, and Ben…well, he’s the nemesis of the Yancy Street Gang, isn’t he?

I can also imagine the destruction caused by Galactus will be impressive, along with his size and his spaceship, Taa II. Because of the retro-futuristic aesthetics and the Silver Surfer’s visuals, we can expect to see some wonderful scenes.

This incorporates witnessing people displaying elasticity, flight, projections, invisibility, superhuman strength, H.E.R.B.I.E., and a glimmering woman on a silver surfboard that can fly. These powers should be eye candy for us.

Now, to the best of my knowledge, I have never issued a prediction for any of the movie previews before, but with 2025, I’m going to make an exception. Fuelled by the end-credit scene in Thunderbolts*, featuring a spaceship with a “4” logo on it, and the threat of Galactus, I’m wondering if Marvel is going to break something that can’t be fixed.

I think, maybe, that Galactus will win and destroy the Earth, leaving the Fantastic Four to flee to another universe, using Reed’s technology, or someone else’s powers. It would be a bold move from Marvel, but considering Galactus is such a threat, they may want to explore this by having the heroes lose.

This way, when the Fantastic Four visit Earth-616, they will be more determined to fight harder and redeem themselves, because they failed to prevent their own Earth from being destroyed. It’s just an idea, but it would shake up the MCU, and that could be a positive thing, with no time travel or rock collection that could alter it.

The last thing I want to discuss is the Fantastic Four’s fifth member. No, I’m not talking about H.E.R.B.I.E., though that would be funny. I’m talking about Franklin Richards, the son of Sue and Reed, who possesses abilities not limited to matter and energy manipulation, flight, teleportation, reality warping, precognition, astral and energy projection, telepathy, telekinesis, time-travel, and durability. Essentially, Franklin is like a Swiss Army knife; he can do anything he wants.

Two pieces of information have led me to Franklin’s admission in this section of the preview. Firstly, the details about Reed and Sue in 2025 were released to explain that they were married, then she was pregnant, and finally, she would give birth to Franklin. I don’t know what the time frame of the film is, but I remember reading these reports, along with the trailers, to identify this fact:

One of the most powerful characters in Marvel Comics, Franklin Richards, would be in the film.

The other piece of information is Galactus’ appearance. Based on a trailer I’ve seen, I have two different theories about why Galactus has arrived at Earth.

Theory A: The Silver Surfer finds Earth as per her instructions to locate planets full of life. She alerts Galactus, who turns up for a snack, then detects Franklin’s power level, and is open to giving Reed and Sue a deal, to trade Franklin for the Earth. He did it with the Silver Surfer; he can do it again.

Theory B: Using his ultra-high tech on his spaceship and the Power Cosmic, Galactus detects Franklin’s power level. He orders the Silver Surfer to pinpoint Franklin’s location to find and capture him. The Fantastic Four offer a tiny amount of resistance, but he offers Reed and Sue a deal to trade Franklin for the Earth. He did it with the Silver Surfer; he can do it again.

The question of whether Galactus was aware of Franklin’s power level before the film began is irrelevant. At a certain point during the movie, Galactus knows about Franklin’s abilities and presents his parents with a dilemma: Will they choose to save Franklin or the Earth?

The only reason I know this is because in one of the trailers, Reed is talking to the media about the proposal, which they rejected. Now, whether this was a positive or negative move from Marvel to include this key plot point in a trailer, once again, remains to be seen.

Do I have concerns?

Of course I do, I wouldn’t be a geek if I didn’t. In my defence, though, I always have concerns about comic book movies. Nevertheless, let’s proceed with my concerns for the 37th MCU film.

  • Where is the film’s continuity in the MCU?
  • Does Galactus destroy the Earth, or will he be defeated by the Ultimate Nullifier?
  • Will the dialogue between the members of the Fantastic Four be smart, witty, and heartfelt, or will it tank?
  • Considering the movie takes place on another Earth, will there be any main MCU cameos or references?
  • Will the Yancy Street Gang appear? Please be a yes!
  • Does Franklin develop and grow super quickly?
  • How large a role will H.E.R.B.I.E. play?
  • Will the origin of the Fantastic Four be explained as being set in the present, but with a flashback, or will the characters gain their powers in Act 1, then have a time jump to progress the story?
  • Are Reed and Sue aware of Franklin’s abilities? Do they witness him doing things or just detect his power level using technology?
  • Will the Silver Surfer betray Galactus?
  • Will there be any Negative Zone, Doctor Doom, Annihilus, or Valeria Richards references?
  • For Galactus’ origin, how will it be explained?
  • On Earth-828, is Reed considered to be the smartest person on the planet?
  • Does Johnny say “Flame On!” to activate his powers?

Ok, I believe that’s it, provided I don’t think of anything new. Are you planning on watching The Fantastic Four: First Steps? As always, please let me know.

I seem to be closing these vanity musings in a similar vein lately, but I meant it. Please look after yourselves. The world this week was full of scandals, controversies, border conflicts, solar and wind storage capacities, genocide, trade arguments, high food prices, passport designs, and an AI penis. It can be bleak, but not all is lost; it never is.

This may sound tired and cliché, but hundreds of millions of people around the world feel the same way, and that’s ok. It means you’re not alone, you’re never alone.

Thanks once again for reading, following, and subscribing to Some Geek Told Me. Remember to walk your dog, read a banned book, and if you’re feeling down, watch the South Park Season 27 premiere; I promise you’ll feel better. Hang in there, and I’ll see you next week for The Fantastic Four: First Steps-Movie Review.


The Rise of the Pocket Universe Monkeys: Superman Haters

Welcome back, I’m so glad you could join me today. This week’s incoherent and mysterious blog is a follow-up to my Superman: Movie Preview/Review posts.

Superman has been out for over 10 days now, and it’s been receiving a lot of praise, as well as negative attention, particularly in conservative and right-wing circles. I noticed this when the first reviews came trickling in, but it exploded over James Gunn’s statement about Superman:

“Superman is an immigrant” and that, “Superman was the story of America”.

An immigrant that came from other places and populated the country, but for me it is mostly a story that says basic human kindness is a value and is something we have lost,

These words, coupled with superhero movie fatigue and Snyderverse enthusiasts, have led to criticism of the movie for various reasons, with the main argument being that the movie is woke, and it has turned Superman into a woke character. It’s been hilarious watching them decry Superman for being woke, even though he’s been woke since 1938.

Wait until the MAGA crowd discover that Clark Kent’s son from the comics, Jon, is bisexual, or the fact that Superman fought the Ku Klux Klan and Nazis. They won’t recover from that!

I have no problem with anybody praising or criticising a movie, or any other form of art. However, that statement can only take me so far, because over about two weeks, I have seen and heard some hilarious and ridiculous arguments and comments, especially from people who have ever seen the film. Haters have to hate, I guess.

Having seen the movie and being a fan of Superman, I’m somewhat embarrassed to admit that I find it entertaining to watch conservatives and right-wing individuals overreact to minor and absurd topics. I’ve gathered some of the most ridiculous responses to the new Superman movie for your enjoyment.

Before I go on, you may have noticed the title of the blog included the phrase, Pocket Universe Monkeys. No, that’s not the name of my autobiography, but it’s a term used to describe some characters from the movie. In one scene, Luthor is monologuing to Superman about his plan to defame and destroy him, while they are in a pocket universe that Luthor created.

While Luthor was talking, there were hundreds, if not thousands, of monkeys posting anti-Superman propaganda online; hence, the new term for Superman haters: pocket universe monkeys. I’m talking about people jumping on the “Superman is woke” train.

Credit: Warner Bros./DC Studios

And with that delightful thought, let’s crack on and enjoy reading some foolish Superman-bashing comments.


Credit: Warner Bros./DC Studios

Credit: Fox News
Credit: The Guardian

I’m going to leave you with two things I have said before, plus something new.

1.) So when someone starts talking smack about things that I love or have an interest in (whatever it is), I listen. Basically, it’s so I can determine if there is any truth to what they are saying, because I may agree with them, or to see whether they are just talking through their arse.

Everybody on this list is entitled to their opinion, but sadly, when discussing Superman, they are indeed talking out of their arses.

2.) For the record, comic books have always been political, by exposing readers to important social issues, from Superman being an illegal immigrant to the X-Men fighting for civil rights. Comic books have always been political.

When was the last time anybody on this list read any comic book? Superman has been talking about inclusivity and diversity since 1938; that’s why he’s the good guy; he’s Superman. That’s the point.

3.) Superman is a fictional character who does not exist in real life, no matter how much we might wish he did. However, just because a character is created in literature, movies, TV, or any other medium, it doesn’t mean we can’t relate to them or learn valuable lessons from their stories.

Yes, creators can make characters do whatever they want, because it’s business to make money from them, but also to tell stories. In every single story that has ever been passed on, there is a message. That message could be laced with positivity, or it could be a warning. And Superman’s message is simply hope. From my point of view, what’s wrong with that?

And with that, I’m done. Did you enjoy the comments from the pocket universe monkeys? If you have seen Superman, what are your thoughts? As always, please let me know.

Thanks once again for reading, following, and subscribing to Some Geek Told Me. Remember to read a banned book, please adopt a dog, stay away from red kryptonite, and I’ll see you next week for The Fantastic Four: First Steps-Movie Preview. Take care.


Superman: Movie Review

Because you eat your vegetables and wash behind your ears, you would have realised that this week’s blog post is the follow-up to last week’s stunning Superman: Movie Preview.

Since I was old enough to identify the Kree warrior Captain Marvel (or his replacement) from the other one who likes shouting out his friend’s name, I have recognised that comic books are inherently political, and Superman is no exception. A great amount of my political leanings have come from reading comic books, which bleeds through from time to time, if you haven’t noticed.

Comic books have always been political.

I would love to discuss this further, but important blog posts don’t write themselves, plus, I don’t get paid per word. I don’t get paid at all. Let’s move on to one of the world’s most sought-after literary treasures, a Some Geek Told Me movie review.

Sadly, I had to break tradition to purchase a ticket. Physical tickets weren’t available to be presold for some weird reason, even though it was Tuesday, and the film opened on Thursday. Desperate times called for desperate measures, so I bought an online ticket for the first screening at 11.15 am.

I was at the supermarket about 90 minutes before the film started, where I was rocking one of my two Superman t-shirts. I chose my Superman logo t-shirt, since it’s been an important piece of clothing to me, and I wanted to celebrate Superman.

In the past, I have worn that t-shirt under my suit at my wedding and during the births of UMC1 and UMC2. I also wore it when we buried Indy. I know it’s silly and illogical, but whenever I anticipate a challenging event where I need to be brave and strong, I put on that t-shirt for the strength it gives me to push through and get it done.1

Anyway, I was at the supermarket comparing the sodium content between two items; because I’m cool, when a child I had never seen before walked up and told me that he was going to see Superman that day. I told him I was going to see the movie as well, and that I hoped he enjoyed it. He replied that he loved Superman and proceeded to walk off. That kid was pumped for the movie, and so was I.

Since I had never purchased an online movie ticket before, I had the email open on my phone, so I could show anybody who needed to check it. I felt stupid, because just like all the other times after buying cinema food, I walked straight into the cinema, without anybody checking the ticket.

For an 11.15 am Thursday screening, the cinema was roughly 1/3 full. Superman was here, and people didn’t care about jobs! They played trailers for Predator: Badlands, and The Fantastic Four: First Steps, but also, surprisingly, Peacemaker: Season Two. That TV show had no right to be as good as it was.

As always, let’s go over the rules of the review.

1.) Please be aware there will be spoilers concerning the movie, so proceed with extreme anxiety and caution.

2.) The aim of my reviews are not to rip apart the subject or trash it. If I liked the subject enough to watch it, then I’ll give my honest (possibly biased) opinion.

3.) I’m not a professional critic, so I’m not going to dive into deeper concepts and themes, or the art of filmmaking. I’m just a geek; always have been, and always will be.

Let’s not just stand with our capes flapping in the wind; let’s get on with the review!


Credit: Warner Bros./DC Studios and my local cinema

First things first, did I like the movie? Yes, I mean, of course I did. It was about the world’s biggest boy scout, Clark Kent. I love Marvel and their characters, but I also love DC, so it was fantastic to see Superman on the big screen again, along with his friends, enemies, robots, and a special canine.

Things I liked:

These are in no particular order; it’s more like I remember them, like the names of capital cities or the All Blacks. I appreciated the film’s exposition, giving a very quick history of the DCU, with details referring to how metahumans have existed on Earth for at least three hundred years. In future projects, those events will be revealed to us, I hope.

Another topic is the use of colour. By this, I mean the visuals, from Clark’s costume to Metropolis, to Guy Gardner, the colours were bright and warm. Even numerous scenes filmed against a clear blue sky were, to me at least, associated with Superman.

When you think of Superman flying around or saving people, the images you conjure up wouldn’t be at night or on a rainy day. No, it would be a clear, blue, and sunny day. I’m not a movie expert, because if I were, I would be making movies, but I feel that James Gunn went out of his way to canvas the film with explosions of colours, of varying degrees of brightness.

It is always great to see Clark’s concern for others while various battles were happening. This concern also covered protecting all life, even when it came to subduing the kaiju and caring for his robots. His ethos for protecting and saving life is plain to see when he saves a dog, a squirrel, and anybody else. Unlike Hawkgirl, who casually kills the President of Boravia, Vasil Ghurkos.

In regards to the battles, it was one of my biggest criticisms of Superman in Man of Steel, that even though Clark was fighting another Kryptonian in the form of Zod, Clark came out of the battle with no injuries, like no bruises, broken bones or cuts. The opposite has been true in Superman, with Clark sustaining several injuries throughout the movie, reinforcing that he may have the power of a god, but he is not a god or invincible; Mark Grayson is.

Clark’s interview with Lois was profound because he uttered a magic sentence with five words that sums up a huge portion of his philosophy: “People were going to die!” Just like what Ben Parker told his nephew, Peter, “With great power comes great responsibility.” Clark is arguably one of the powerful people on the planet, so he takes that responsibility very seriously. If he can save and help people, he will. I think David Corenswet did a brilliant job with this, as well as portraying Clark Kent as a developed character.

And speaking of Clark, his relationship with Lois Lane (Rachel Brosnahan) was interesting, since we’re seeing them at the beginning of their relationship. It was a strong point differentiating between Lois and Clark when Lois mentioned that she questions everybody, whereas, as she explains, Clark thinks everybody is beautiful. For me, at least, it wasn’t that Lois was falling in love with Superman; she was falling in love with Clark. That is a massive difference.

For this middle-aged crybaby, I thought the scene was beautiful and that Brosnahan gave a strong performance about a strong woman, who was dating a very strange man. I also thought it was spot on with Lois, as Brosnahan was detailing the news story to Perry White (Wendell Pierce), as Metropolis was getting ripped in half because of the black hole/rift.

When I explained to my wife that Nicholas Hoult was going to play Lex Luthor, she responded by saying she couldn’t take him seriously, because she could only see him as Beast from the Prequel X-Men films. Having said that, and seen the film, Hoult was outstanding. One of the interesting aspects of Luthor’s personality is that, from his perspective, he was king of the world until an alien freak show turned up and stole his spotlight and attention.

Hoult did a marvellous job at displaying Luthor’s brilliance and intellect, as well as his rage, narcissism, being a master manipulator, and his utter disregard for anybody other than himself. Luthor is Clark’s opposite, in every conceivable way; that’s why he is such a great villain. Clark cares, while Luthor does not, and Hoult nailed this. You could feel the contempt and hatred radiating from Hoult’s Luthor towards Superman. He was sadistic.

The top ten richest people in the world, Elon Musk, Larry Ellison, Mark Zuckerberg, Jeff Bezos, Bernard Arnault, Larry Page, Warren Buffett, Steve Ballmer, Sergey Brin, and Jensen Huang, have a combined total of at least US$2,009,500,000,000 ($2.009 trillion). It’s sad that with all of this wealth, not one of these people has become Batman; however, it’s a miracle that no one has become Lex Luthor, though Musk seems to be walking down that path.

I’ve always liked the character of Michael Holt, aka Mister Terrific. Since his first appearance in 1997, Holt has become a much-loved icon with DC and the wider world of comic books. Supposedly, he’s the third-smartest person on the planet, and Edi Gathegi was amazing at displaying Holt’s intelligence and morality. People have said that he stole every scene, and I have to admit, his no-nonsense attitude was funny when compared to Guy and Clark. He was the breakout star of the film.

Nathan Fillion was Guy Gardner personified, and I loved his “upgrade” comment and his haircut argument with Lois. It was very on brand for Guy to be a jerk, especially tossing Boravian tanks around, while giving them the finger. Classy.

I could be wrong about this, but watching Anthony Carrigan’s Metamorpho was like watching the alien from John Carpenter’s The Thing. I’ve said this before, but Metamorpho is a criminally underrated character, so it was satisfying to see him using his quirky powers.

I know introducing Krypto the Superdog could be considered corny, and it is, but like it or not, Krypto is a big part of the Superman mythos. Long-time readers will know my connection to Krypto, so I surprised myself by not crying; I was just happy to see him. They did an amazing job of creating a CGI flying dog.

There’s more positive things I could talk about, like Clark acknowledging that his real parents were Jonathan and Martha Kent, the children of Jarhanpur calling out for Superman’s help, the anti-war and pro-immigrant themes, the Boravia and Jarhanpur situation (Israel and Palestine), but it boils down to this: Superman is something that Clark can do. You can take away Superman’s powers, but you still have Clark’s ideals and philosophy. That’s what makes him super.

Things I disliked:

This is difficult because it feels like I’m nitpicking, but no film, ever, is 100% perfect from start to finish, and Superman is no exception. For example, even though I love the Star Wars films, there are still issues with them.

I have previously voiced my admiration for Superman & Lois, it was a phenomenal TV show. I enjoyed Tyler Hoechlin’s Superman, but I enjoyed his Clark Kent even more. At home with his wife, Lois, he would still wear his glasses because, even though he didn’t need them to see, the glasses were part of his personality.

Having said that, it was slightly disappointing to see Corenswet only wear the glasses for maybe two scenes in the entire film. Like I said, I’m nitpicking.

I would have loved to see more of the Engineer, or at least see her try to redeem herself. She seems to have been in debt to Luthor, so hopefully she will do that in future projects.

I felt the same with Hawkgirl. Mister Terrific, Metamorpho and Guy Gardner all had their time to shine, but Hawkgirl didn’t get the same chance, or maybe I’m imagining it. Regardless, I would love to see more Hawkgirl’s character.

I also got the impression that the Justice Gang were shoehorned into the film, but at the same time, I understand why.

There were two scenes that I found odd. The first was when the giant kaiju appeared, and the citizens of Metropolis were running in panic. I could almost picture Gunn shouting, “Action!” It felt humorous and unconvincing to me.

The second scene was when Krypto sat on Lois’ lap. It was obvious that nothing was actually on Brosnahan’s lap and that she was talking to thin air since Krypto would have been added in post-production. It was strange.

I’m being overly critical by nitpicking in this section. I enjoyed the film too much to find any more faults, as I realise I’m just being pedantic now.

So, what about my preview questions?

  • Will the plot make sense, or will it be riddled with holes? The plot did make sense, though it did feel rushed. The pocket dimension and the tensions between Boravia and Jarhanpur could have done with some more explanation.
  • Will any of the other superheroes be meeting Superman for the first time? From what I saw, Mister Terrific, Guy Gardner, and Hawkgirl had all met Superman before, while Metamorpho met him for the first time in the film.
  • How long have Clark and Lois been a couple? You could debate that Clark and Lois have known each other for about three years, but they have only been together for three months.
  • Will there be references to other superheroes? Though they were not all superheroes, we had Maxwell Lord (Sean Gunn), Bradley Cooper (Jor-El), Angela Sarafyan (Lara Lor-Van), Peacemaker (John Cena), and Rick Flag Snr from Creature Commandos (Frank Grillo), along with several famous voice acting roles, especially with the Fortress of Solitude robots. Here’s a shout-out to the Gotham City road sign!
  • With the inclusion of several superheroes, will Superman be a supporting cast member in his own movie? Upon further reflection, I would say no, he was not a supporting cast member. Gunn did an excellent job of balancing this with the other characters, but Clark was still the main attraction.
  • Will adding Krypto turn the movie into a spoof or comedy? Yes, adding Krypto did make it a bit corny and silly. However, that automatically did not make it a negative thing; it just made it more comic-accurate.
  • How will Krypto be introduced? Krypto is introduced within the first four minutes of the film. Later on, I thought Clark was vague about how Krypto came to Earth, which I thought was odd. Having said that, there’s a reason that Clark did not explain that information to the audience.
  • What is Lois’ relationship with Krypto? Lois first meets Krypto at Clark’s parents’ house, and is surprised that he has a dog, as she knew nothing about it.
  • Do Clark and Lois live with each other? After the scene in Lois’ apartment, I would have to say they do not live with each other.
  • Will there be a Supergirl cameo or reference? Good question. We had to wait until the end of the film for the twist: Clark was only dog-sitting Krypto because his owner was partying on a planet that orbits a red star. Krypto’s owner is Kara Zor-El, aka Supergirl. It’s nice that Clark still has a connection with Krypto, even though Krypto is not his dog. I can imagine that Krypto’s origin story will be linked with Kara’s, which will be explored in Supergirl, due to be released in 2026.
  • Will Luthor be a pawn for another villain, or is he the one in control? Luthor was the puppet master in this film, with nobody controlling him. I mean, Luthor couldn’t even control Luthor.
  • How many different villains will there be in the film? There were several villains for the heroes to handle. We had Lex Luthor, the Engineer, the President of Boravia, and Ultraman, who wore the Hammer of Boravia suit. I need to add two other villains that slid under the radar to a certain extent. When Ultraman was introduced in the trailers, fans assumed that “Ultraman” could have been Ultraman from Earth-3, the home world of the Crime Syndicate. It was interesting that after laying breadcrumbs throughout the film, Luthor revealed that Ultraman was a failed clone of Superman. With that revelation, it was obvious that Gunn had hidden Bizarro in plain sight, similar to Bizarro from Superman & Lois. The second secret villain was Clark’s comment to Lois about why he was not going to help the Justice Gang with the fight outside her apartment. He said that it was a dimensional imp, which fans will know as Mister Mxyztplk.
  • How will Superman inspire the audience? That’s a hard question to answer. I can’t answer on behalf of society, however, people posting positive content before and after the film gives me hope about this. In my February blog about Superman, the character reminded me that I can be a better person; I just need to try harder. I had forgotten a lot of Clark’s qualities, so I’m reinvesting them in myself. Clark’s speech to Luthor at the end of the film was…well, super. It defines his character.
  • Will David Corenswet’s portrayal of Clark Kent be Pre-Crisis or Post-Crisis Clark? I would say that Corenswet’s Clark Kent was definitely a Post-Crisis Clark, which does offer a difference from Christopher Reeve’s Pre-Crisis Clark.
  • Does Krypto survive? Yes! How It Should Have Ended predicted a darker outcome for him, along with Clark looking for Krypto, but he survived!
  • How does Lois cope knowing her superhero boyfriend is a target for Luthor and others? I don’t know why I asked that question, so I’m unsure how to answer it. On one hand, she was thinking about breaking up with Clark, while on the other, she recruited Mister Terrific to locate and save Clark, as well as Metropolis, risking her own life in the process.
  • How does Clark manage that Superman is a global hero, and not just an American? The Boravia/Jarhanpur conflict highlighted this. In Clark’s mind, Superman belongs to the world, not just one country. By stopping a war, Clark was no longer a neutral player; he had chosen a side. This speaks volumes about his character. Over the years, various storylines have explored the theme of Superman’s identity and role in the world. This culminated in the Pre-52 reboot, where Superman (not Clark Kent) renounced his American citizenship. He realised that as Superman, he was needed to help people everywhere, regardless of their sexuality, religion, or nationality. By renouncing his citizenship, he aimed to avoid being controlled by the U.S. government. Clark knew Superman was more than an American hero; he was a hero to everybody, from the Ivory Coast, Romania, Peru, Iran, Canada, Vietnam, and even New Zealand. James Gunn just reinforced that Superman belongs to the world, and not just one country.
  • Can I bring my 10-year-old and 7-year-old boys to the film and not regret it? I wanted to take UMC1 and UMC2 to see it, because my dad took me to Superman IV: The Quest for Peace at the cinema. I wanted to watch Superman first, so I would know what to expect. The first issue was when the kaiju was killed; UMC2 would be EXTREMELY upset with that. He hates that people kill and eat squids, so killing a CGI kaiju would turn him into John Wick. He would have been rooting for the kaiju. The other point was when Luthor murdered the Metropolis native. Because of this, I thought UMC1 would be able to see it, but that wouldn’t be fair to UMC2. However, it was a moot point because they both wanted to see Elio instead.

If you’re a movie fan, then Superman may come off as silly and corny, or even predictable. However, if you’re a comic book fan, then you will love this film because it is very comic book accurate. I enjoyed seeing Clark flying around saving people, and being a dork so much, that I can only offer this praise for the film: I don’t have to see it again, but I want to see it again. I’m starting a new job this week, so after I get paid, I’ll go and see Superman for a second time.

So, should you go and see Superman? If you don’t know who to believe after reading various reviews about the film, whether they are praising or trashing Superman, don’t trust anybody. Go watch it so you can judge yourself. Please tell me your thoughts about it, I would love to know.

Thanks once again for reading, following, and subscribing to Some Geek Told Me. Remember to walk your dog, read a banned book, stay away from red solar radiation, and I’ll see you next week for an unplanned blog. Mysterious, isn’t it?


1 I graduated university wearing a black Superman t-shirt underneath my graduation gown, but I also wore Superman cufflinks to my wedding.

Superman: Movie Preview

And I’m back in the room. My winter break is over, after staring into the cold abyss of a New Zealand winter, and I have emerged with my phalanges still cold. However, there is no time to settle and decry winter’s embrace; no, someone must continue the long struggle of producing inadequate writing for the faceless public, and that burden falls upon my scrawny shoulders.

In my mission to view more comic book movies at the cinema, my next project is not a Marvel Cinematic Universe (MCU) film; I’m as shocked as you. My last preview/review was in May with Thunderbolts*, but this time, we are headed into the DC Universe (DCU), which is the rebooted and rebranded version of the DC Extended Universe (DCEU).

The movie in question is Superman, which is the first cinematic entry of the DCU’s Chapter One: Gods and Monsters phase.1 The film’s working title was Superman: Legacy, but “Legacy” was dropped in early 2024, so the title became Superman.

This, of course, can not be confused with 1978’s Superman, starring Christopher Reeve and Gene Hackman. The difference is that the 1978 movie is known as Superman, but technically, it was marketed as Superman: The Movie. Facts matter, ladies and gentlemen, facts matter.

As per tradition, I would have purchased a ticket to an early screening to avoid spoilers, to give myself enough time to write the review, and because I’m a geek. That being the case, I haven’t got a ticket because they don’t go on sale until Tuesday, 8th July, at 12 pm (NZ time). You can bet that I’ll be at the cinema at 12.05 pm to buy a ticket, though! Since it’s the only cinema in town, I may have to look at buying shares in the business because of the amount of money I have spent there.

I have previously discussed Superman in February of this year, and since his introduction in Action Comics #1 in 1938, Superman has entered our lexicon and consciousness, the world over. I’m not going to launch into a speech about who Superman/Clark Kent/Kal-El is, or who they are to me or you; that would take too long, considering this blog post is about his movie, not an analysis of his character.

However, in saying that, Clark means a lot to me. A lot.

As you can guess from the title, Superman heralds the return of Kal-El to the big screen. The film was written and directed by James Gunn, with an estimated budget of US$225 million, which is, to be honest, quite steep by today’s standards. I’m not smart enough to know whether that’s a possible or negative thing.

I’ve seen the teaser trailer and various trailers for the film, and if I’m honest, the teaser trailer was one of the reasons I left my job. Superman inspired me to try to do better. Seriously. That and seeing Krypto, which resulted in the below tweet.

I am also aware of the Pro-Henry Cavill camp, as well as the Pro-Zack Snyder camp, which have been mocking and criticising DC Studios for any shortcomings of Superman, while ignoring any potential positive aspects of the film. This backlash has been ongoing since the announcement that Cavill would not be returning as Superman and Snyder would not be involved in future projects.

Even if Superman earns over $1 billion, wins multiple awards, and achieves a high rating on Rotten Tomatoes, it still won’t be enough for them.

For an introduction to one of my movie previews, this is somewhat subdued. With that in mind, let’s get on with the preview!


Credit: UMC1 & UMC2

Am I looking forward to watching Superman?

As always with this question, the answer is a resounding, YES! Following my stupid commitment to view new comic book movies at the cinema, instead of on a streaming service, watching Superman is a no-brainer.

I’m excited because this is the first time since 2017’s Justice League that we have had Kal-El on the big screen. Yes, I know Henry Cavill also had a cameo in Black Adam, and whatever Nicholas Cage’s cameo was doing in The Flash, but I’m talking about Superman as a main character.

I’m a little biased since I love various superheroes for different reasons; what geek doesn’t? But my first superhero was Superman. As I said before, Superman means a lot to me, and I don’t know if I could ever truly explain or articulate why.

Another reason that I’m looking forward to the movie, as I mentioned before, is that it’s the first cinematic entry of the DCU’s Chapter One: Gods and Monsters phase. We have David Corenswet (Clark Kent/Superman) wearing the cape, Rachel Brosnahan as Lois Lane, and Nicholas Hoult as everybody’s favourite bald megalomaniac, Lex Luthor.

Rounding out the supporting cast, we have Edi Gathegi (Michael Holt/Mister Terrific), Anthony Carrigan (Rex Mason/Metamorpho), Nathan Fillion (Guy Gardner/Green Lantern), Isabela Merced (Hawkgirl), Skyler Gisondo (Jimmy Olsen), Sara Sampaio (Eve Teschmacher), María Gabriela de Faría (Angela Spica/The Engineer), and Wendell Pierce as Perry White.

Mister Terrific, Metamorpho, and Hawkgirl are some of the most underrated characters in DC’s toybox, so it will be great to see them saving lives and kicking arse. As for Guy Gardner, I hope Nathan Fillion has understood the assignment, because Guy’s infamous haircut is an awesome start.

I have high hopes for the DCU to be a more streamlined version of the DCEU.

The final reason I’m pumped for the movie is Krypto. He debuted in Adventure Comics #210 (March 1955), and although he’s starred in various animated series and films before, along with the lead role in DC League of Super-Pets, and live-action appearances in Titans and Superman & Lois, Superman is his first live-action film appearance. 2

I would often joke about Indy looking like Krypto, now Krypto looks like him. I may cry watching Clark’s interactions with Krypto, but I’ll be ok. Indy was a good boy, just like Krypto.

Will the real Krypto please stand up?

What is the movie about?

According to DC.com, the premise is this:

“Superman,” DC Studios’ first feature film to hit the big screen, is set to soar into theaters worldwide this summer from Warner Bros. Pictures. In his signature style, James Gunn takes on the original superhero in the newly imagined DC universe with a singular blend of epic action, humor and heart, delivering a Superman who’s driven by compassion and an inherent belief in the goodness of humankind.

On my local cinema’s website, it states:

Superman attempts to balance his Kryptonian heritage with his human upbringing in this DC superhero film from James Gunn.

What can we expect?

The running time is 130 minutes, so pace yourself while drinking, since you don’t want to run off to the toilet while an epic fight is happening! I want to take UMC1 and UMC2 to see it, but since the rating is M, I have to watch it first to determine whether it’s alright for them. Don’t let me down, James, don’t let me down.

Based on what I understand about the film and the overall impressions of the DCU, superheroes are already an established part of this world. As a result, we may or may not see any origin stories. Instead of focusing on how citizens of the DCU come to accept super-powered humans and aliens, the film will likely explore how they co-exist with them and the consequences of this co-existence. Maybe.

I can imagine that we’ll see several fights, Luthor’s monologues, Clark’s relationships with Lois, Perry, and Jimmy, as well as the relationships between Superman, Mr Terrific, Guy Gardner, Hawkgirl, and Metamorpho. There needs to be examples of Clark saving a lot of people, but also inspiring people to be better. The message needs to be about hope. Also, the shenanigans that go with training a super-powered dog.

I know it’s a huge amount of pressure, but if the DCU has any real chance of succeeding, Superman not only has to generate a vast amount of money, but it also needs to win over critics and fans. However, if anyone at DC can knock the first ball out of the park, not counting Martian Manhunter, then it’s Superman.

Do I have concerns?

I always have concerns with movies like this, and Superman will be no different. Since this is the first cinematic entry in the DCU, they need to stick the landing with this, especially with a beloved character like Superman.

Here are some of my questions:

  • Will the plot make sense, or will it be riddled with holes?
  • Will any of the other superheroes be meeting Superman for the first time?
  • How long have Clark and Lois been a couple?
  • Will there be references to other superheroes?
  • With the inclusion of several superheroes, will Superman be a supporting cast member in his own movie?
  • Will adding Krypto turn the movie into a spoof or comedy?
  • How will Krypto be introduced?
  • What is Lois’ relationship with Krypto?
  • Do Clark and Lois live with each other?
  • Will there be a Supergirl cameo or reference?
  • Will Luthor be a pawn for another villain, or is he the one in control?
  • How many different villains will there be in the film?
  • How will Superman inspire the audience?
  • Will David Corenswet’s portrayal of Clark Kent be Pre-Crisis or Post-Crisis Clark?
  • Does Krypto survive?
  • How does Lois cope knowing her superhero boyfriend is a target for Luthor and others?
  • How does Clark manage that Superman is a global hero, and not just an American?
  • Can I bring my 10-year-old and 7-year-old boys to the film and not regret it?

There are probably more Kryptonian questions to ask, but I’m out of time and beauty sleep.

That wraps it up for me here, as the only thing left to do is to buy a ticket when they go on sale tomorrow. I’ll wear one of my two Superman t-shirts to the movie, because, well, how can I not?

Before I go, I mentioned this in a previous blog, but I would like to reinforce it. The world is very dark at the moment, but it’s not all bad. There are slivers of hope and light. Keep your head above water and remember to be kind. Your words and actions can help lift people up. Hang in there.

Thanks once again for reading, following, and subscribing to Some Geek Told Me. Remember to walk your dog, read a banned book, always say no to kryptonite, and I’ll see you next week for the Superman: Movie Review.


1 I think Creature Commandos was the first true entry in Chapter One: Gods and Monsters, but that was a television series. Also, the show was a lot better than I thought it would be. It was insane, but fun.

2 Krypto is one of my favourite unlockable characters to use in Lego Batman 3: Beyond Gotham.

Thunderbolts*: Movie Review

Building on from last week’s amazing Thunderbolts*: Preview, we need to cover the second half of this intriguing endeavour, the review.

Because this is a hot topic, I won’t mince my words about the movie. It’s important not to waste valuable reader’s time when discussing relevant information. Some Geek Told Me prides itself on explaining the news and information concisely, which is simple to digest and straightforward.

Let’s dive straight into the review since Some Geek Told Me is well-known for not time wasting. That sort of disrespectful move is unwanted and mocks the great and sacred institution of being an amateur film critic.

When people read a movie review, they don’t want to hear about deals at Pak n’ Save concerning Mother’s Day, like Snacka Changi Chips Vinegar & Salt Kettle Fried Potato Chips 150g, priced at $3.49, or the Champion League Semi-final first leg results, like Paris Saint-Germain 1-Arsenal 0, and Barcelona 3-Inter Milan 3. You won’t see that happening on this account, as it is too respected for that. No sir, never on this account.

Like I mentioned last week, I purchased a ticket to an advanced screening of Thunderbolts*, and like always, after purchasing a drink, I walked into the theatre without ANYBODY checking to see my ticket. For an early evening advanced screening, the theatre was about 25% full. Sorry, my mistake, I meant to say it was 1/4 full.

I chose my regular spot, which is the centre seat in the back row, where the real geeks are. The trailers were weird, because I was expecting possibly Superman, or at least The Fantastic Four: First Steps, but no. They played three Disney trailers, Elio, Freakier Friday, and Lilo & Stitch; all films that could be classified as child-friendly or family movies. Not a single adult movie. Like I said, weird.

As always, let’s go over the rules of the review.

1.) Please be aware there will be spoilers concerning the movie, so proceed with extreme anxiety and caution.

2.) The aim of my reviews are not to rip apart the subject or trash it. If I liked the subject enough to watch it, then I’ll give my honest (possibly biased) opinion.

3.) I’m not a professional critic, so I’m not going to dive into deeper concepts and themes, or the art of filmmaking. I’m just a geek; always have been, and always will be.

So, I’m not here to watch paint dry, let’s get on with the review!


Credit: Marvel Studios/Disney and my local cinema

First things first, did I like the movie? Yes, yes I did, but for an MCU film, I feel I’ve been left with a lot of questions. Though to be fair, that’s usual for me. People have been saying that Thunderbolts* is getting the MCU back on track since it’s a step in the right direction. Let’s hope the MCU continues this momentum.

Things I liked:

I’m going to start with the most obvious, loneliness. Whether it’s in the form of feeling alone, having negative feelings, or depression, I feel every person who has ever lived, has experienced a version of these emotions, regardless of their magnitude and the effects that it has on their body, mind, and heart.

I thought it was a bold, or even mature way to start a superhero movie, with a character talking about their existential crisis. With Yelena (Florence Pugh) narrating her feelings, and in my humble geeky opinion, I thought it was refreshing to be handling a serious topic within the confines of a comic book movie.

The conversation between Yelena and Alexei Shostakov (David Harbour) on the street was extremely personal. Feelings about loss, abandonment, failure, rejection, and loneliness bubbled to the surface, with a daughter talking about feeling lost and needing her father, versus a father feeling like a failure, because he thinks his daughter no longer needs him. It was a powerful scene.

Feelings are an important aspect of the human experience, and likely of all intelligent and sentient life. Whether these feelings are classified as mental health issues and how they are treated is less important to me. What truly matters is that we talk about these feelings more openly and acknowledge their existence.

This, of course, leads to Bob (Lewis Pullman), whose feelings about isolation, failure, and loneliness were highlighted before he discovered his abilities, with the emergence of the Sentry and the Void.

Since his introduction in 2000, The Sentry has been linked with mental illness. I could be wrong about this, but I have always thought since Sentry was a Superman-level character, Marvel gave him similar strengths and weaknesses. DC gave Superman kryptonite as an unexpected and simple way to defeat him, like Marvel giving Sentry a weakness in the form of mental illness.

Unlike how the Force is presented in Star Wars, I believe there is no Light Side or Dark Side to the Force, there is only the Force. Because of this, I believe there are no true positive and negative emotions within the human condition, there are only emotions. You can’t have the light without the dark, or positivity without negativity, and vice versa.

It’s not about suppressing feelings of loneliness and failure or letting them take over you and forever dominate your destiny, but rather learning to accept, live and function with them.

I found it both unexpected and refreshing for the MCU to address a taboo topic that affects a significant portion of the human population. We should acknowledge the importance of listening to the concerns of those in this situation, whether they are fully aware of it or not.

That was long-winded, wasn’t it? Sorry, right, let’s push on.

I enjoyed Shostakov not only for being an oddball but also for his genuine desire to improve himself and help those around him. His enthusiasm was both infectious and hilarious. Sometimes, we need characters like him, as they are simply so likeable.

The scene where he arrived in the car, honking to warn Yelena about the potential danger, even though the danger had passed, mixed with Yelena’s reaction to this, was easily the funniest part of the movie.

Imagine John McClane receiving a phone call from his mother in Die Hard with a Vengeance or Live Free or Die Hard, warning him about the danger to New York and the United States? You never stop being a parent. Priceless.

The redemption arcs for the main characters, Bucky included, were great to see, even if it was expected. Saving the public while people were disappearing and the city collapsing around them was vital to illustrate how far the Thunderbolts have come with their character development.

For all of Contessa Valentina Allegra de Fontaine’s (Julia Louis-Dreyfus) faults, it was interesting to see her motivations, via the memory of her father’s death; added to John Walker’s (Wyatt Russell) and Bob’s memories.

The dialogue between the main characters was also snappy and witty, if not brutal and raw at times. I was impressed with their interactions.

Things I disliked:

Taskmaster. We need to talk about Taskmaster. This villain has always had a soft spot with me. In the comics, he not only had photographic reflexes, which allowed him to mimic different people’s fighting styles, but he also trained henchmen, thugs, and goons, for various supervillains and criminal organisations. He was such a severe arse-kicker, that even Captain America, Daredevil, or Spider-Man would think twice before fighting him.

The MCU version of Taskmaster (Olga Kurylenko) has been different, since they changed Taskmaster’s identity and gender, but kept her photographic ability. The major difference in Black Widow was that she was being brainwashed and didn’t speak. That was a major disappointment because Taskmaster is such a great character.

I had high hopes for Taskmaster to start training thugs in the MCU, so various heroes could break in and shut her operation down, just so she defeat them and escape. I was looking forward to seeing her character develop because she had a massive amount of potential. She was an under-used character, which proved having her in Thunderbolts* made a lot of sense.

So, imagine my surprise when she was murdered in her first scene. Initially, I thought it was a ruse, but as the film continued, it soon became apparent that she was dead. I’ve read about the director, Jake Schreier’s reasoning for her cheap death. I get it, but it doesn’t take away that Marvel has wasted her character.

The film could have existed without her, and nobody would have noticed, but her involvement in the movie seemed a little pointless. Again, Marvel has wasted the chance to develop an amazing character. Added to the fact, Marvel was quite deceptive in their marketing with Taskmaster, including her in many promotional materials, including the poster inside the cinema.

It does teach the public not to believe anything that a movie production company does and says, while they are in pre-production, production, post-production, or marketing. Marvel has lied before, and they will do it again.

If you remember, I was concerned about how Marvel would handle the Sentry, and I was right, but not for the reasons I thought. By the end of the film, Bob chooses not to become the Sentry, since he can’t control his powers, which means he can’t control the Void. Fair enough, right?

But this leaves us with a problem. Bob is living in the New Avengers’ Tower, walking around with the power of a million exploding suns. It means that he is the world’s nuclear option, a Hail Mary, or even a deus ex machina.

No matter what threat Avengers or New Avengers face, or any other heroes, whether its Doctor Doom, Thanos, Galactus, Mephisto, Gladiator, Apocalypse, or even the Brood, Kree, Skrulls, Badoon, or Shi’ar, the heroes could always use their Plan B, by activating Bob and turning him into Sentry.

Granted, there’s no guaranteed way he could win every fight, but the Sentry could do a vast amount of damage against his enemy; he’s nearly invincible. And if the Void should appear, they could always use Yelena to calm him down, just like Black Widow did with Hulk. It’s not like the Void is killing people when he turns them into shadows. They are still alive, but just in a different form. So even if the Void gets loose again, all of the people he transforms can simply be returned and transformed back.

Marvel can’t ignore that fact, ever.

And speaking of ignoring, when the Void was redecorating Manhattan, where were the New York superheroes like Spider-Man or Daredevil? Yes, I understand the Sentry/Void battle could have only been about 15-20 minutes long, but in that time, what were Peter Parker and Matt Murdock doing?

I’ve mentioned this before, but the way Marvel has built this inter-connected world over 17 years, means if something happens on Earth; especially in the United States, other heroes are going to react to it and help.

Since we didn’t see Peter or Matt cameos, Marvel needs to address that in a future TV show or movie and explain where they were when the Void was painting the town black. I feel that if Peter or Matt discovered Manhattan was being attacked, they would drop what they were doing and try to help save lives. While we are talking about it, does Luke Cage exist in the MCU?

So Marvel, where were Spider-Man and Daredevil?

So, what about my preview questions?

  • How accessible will Thunderbolts* be to viewers who have not seen the Disney+ TV show, The Falcon and the Winter Soldier? I feel the plot gave us the key points about what we needed to know about the show and the characters, to understand what was happening, and who the characters were. Having said that, since I still haven’t seen The Falcon and the Winter Soldier or Hawkeye, I still believe I’ve missed a lot of information.
  • Does the plot make sense? It does, though the whole scene with the, “Sending the hired killers to kill each other” trope was tired, but everything else was ok.
  • Will the movie reference Captain America: Brave New World, or hint at The Fantastic Four: First Steps? Yes, Captain America: Brave New World was mentioned when Valentina Allegra de Fontaine discussed the former president turning into a red monster, during her impeachment hearing. With The Fantastic Four: First Steps, the end credits scene answered that.
  • Why are the Thunderbolts involved in the first place? de Fontaine ordered them to kill each other in a covert O.X.E. facility, unbeknownst to the others. They figured out her betrayal, with three more characters joining the team.
  • Can the absence of the Avengers in the movie be believed? At that moment in time, the Avengers are still disbanded, hence their absence.
  • Will the introduction of the Sentry be a success or failure? I believe the Sentry’s entry into the MCU has been a success, based on the public’s responses; mainly for the inclusion and presentation of mental illness.
  • Will other MCU villains be making appearances? If there were any other MCU villains in the movie, I missed them.
  • Will Taskmaster have a larger role than in Black Widow? Wow, that question was ominous. No, she died in her first scene.
  • Can they truly explain how the Sentry got his powers? He gained his powers from being involved in a top-secret experiment, however, what they actually did to him remains a mystery.
  • How does Bucky fit into the plot? He is a free citizen, correct? Before the movie, I thought the Thunderbolts would rope Bucky into helping, but it was the other around. He needed their help to testify against de Fontaine.
  • Where is the film’s continuity in the MCU? It’s set in 2027, after Captain America: Brave New World.
  • Do the Thunderbolts have a choice to be in the team? Yes, it wasn’t like Suicide Squad. They did follow orders at the beginning, but they became a team out of choice, not because they were ordered to do so.
  • Does Valentina Allegra de Fontaine betray the Thunderbolts? Having not seen any TV shows featuring de Fontaine, I predicted she would, and she did. Yay for me!
  • Will any of the Thunderbolts go free at the end of the movie? Yes, all of them went free, except for Taskmaster who died earlier in the film.
  • Do the Thunderbolts only protect the United States? During the first act, the characters are only trying to save themselves. However, by the third act, they are trying to save New York City. Building on that, in the end credits scene, they are actively working to protect and guard the planet. I think.

So, should you go and see Thunderbolts*? Yes, but what the hell do I know? At least 20% of my clothes are comic book-related, so my opinion is biased. Have you seen Thunderbolts*? Please tell me your thoughts about it, I would love to know.

That’s it for another week, with another preview/review all wrapped up. I believe the next one will be in July for Superman, the first movie entry in the DCU (DC Universe). I want to take UMC1 and UMC2 to see it, but we will wait for the film’s rating to be revealed first.

Thanks once again for reading, following, and subscribing to Some Geek Told Me, it means a lot to me. Remember to walk your dog, read a banned book, and please point out to Rubio, Vance, and Musk, that the AfD are the most far-right political Nazi-like party in Germany, since the Nazis.

And speaking of Nazis, because of a certain 78 year-old convicted felon’s history lesson, we are going to be discussing the 80th anniversary of VE Day, next week. Sounds awesome, because science, history, and comics are where it’s at, baby!


Happy Star Wars Day 2025!

This is the day you’re looking for! Yes, today is 4th May, Star Wars Day! May The 4th Be With You has become a day set aside to celebrate everything about Star Wars, whether it’s movies, books, comics, toys, board games, cosplay, TV shows, and everything else!

It’s also amazing to see the 20th-anniversary Star Wars: Episode III-Revenge of the Sith re-release has been outselling new movie releases with pre-sales tickets! That’s crazy because it’s not like they will give Anakin and Padmé a happy ending. Right? Right?


Image by Filip Vaněk from Pixabay

As always, Star Wars Day is important to our family, so my wife, UMC1 and UMC2 decided to celebrate by creating art, but this time, it was on the kitchen blackboards.

On the left-hand side, we have my wife’s art. It’s filled with Star Wars quotes and sound effects, along with a Power Droid speaking Aurebesh saying, “Gonks Rule!”

On the centre blackboard, we have UMC2’s artwork which depicts a Rancor fighting some Gamorrean guards, at Jabba’s Palace. There’s a lot of blaster fire and explosions, because some stupid person built a blaster large enough for a Rancor to use, and gave it to them!

On the right-hand side blackboard, we have UMC1’s offering, which displays A New Hope’s Death Star battle scene, with X-wings and Y-wings attacking the Death Star, which is defended by TIE fighters.


As for me, I’m just showcasing my Star Wars: The High Republic novel collection. This does not include the comics and manga series, which are kept separately. Escape from Valo is there, it’s just been pushed to the back.

I’ve been enjoying The High Republic series, and I’m sad to see it end. I’m just waiting for the last five books to be published as paperbacks so I can finish the saga. This reminds me that I STILL have not written that High Republic blog post, I keep saying I’m going to do. I need to get on to that.

For Star Wars Day, we will probably wear our Star Wars t-shirts, read some Star Wars books or comics, play Star Wars: Risk, or watch some Star Wars content, or maybe all of it!

How are you celebrating Star Wars Day? Please let me know. Ok, that’s it for me. Enjoy this wizard day and I’ll see you on Monday.


Thunderbolts*: Movie Preview

Here we are again at the start of a new movie preview, brought to you by the mind of the person who writes about many pointless things. Well, discussing movies, science, politics, and comics is never meaningless.

As I have previously mentioned, because repeating things helps me to remember to do things, I plan to watch more comic book movies at the cinema, because if we don’t go to watch them, they’ll stop making them. Maybe that would make many people happy, but I am not one of them.

My last preview/review was Captain America: Brave New World, so for our next movie preview instalment, we are headed back to the Marvel Cinematic Universe (MCU) with the Thunderbolts*. It opens in New Zealand on Thursday 1st May, as the 36th MCU movie. I’m about 98% sure Darkhawk or Sleepwalker will not make a cameo, but hope springs eternal.

Our only cinema is having an advanced screening of Thunderbolts* on Wednesday 30th April, and yours truly has secured a ticket. Like always for my films, I walked into the cinema to buy the ticket, mainly because I didn’t want to pay the extra fees via their website.

Anyway, a strange pattern happens when I purchase an advanced ticket. I casually mention I’m going to be writing a review about the movie, and name-drop my website. The staff member will stare at me blankly, so I stop talking, pay for the ticket, and leave as fast as The Flash running to an all-you-can-eat buffet.

So, who or what are the Thunderbolts?

For those unfamiliar with comic lore, here’s a brief history lesson: the Thunderbolts first appeared in The Incredible Hulk #449 in 1997. They later received their own monthly title, which launched three months after their debut with Thunderbolts #1. I own both of these issues because I’m a geek. They even had a cool slogan: “Justice, like lightning!”

Marvel had previously done a company-wide crossover event in 1996, in the form of Onslaught. By the end of the storyline, The Avengers and The Fantastic Four had disappeared, and for all intent and purposes, the public thought they were dead.

Enter the Thunderbolts, a new heroic super team to step into the void left by the absent heroes. Before I go on, one thing I love about comics is when something major happens, whether it is the appearance of a new character or the return of an old one, a death, revelation or a twist, and the company does not advertise it. It sneaks up on you, and as you turn the page, it hits you. Such is the case with the Thunderbolts.

The twist was that the Thunderbolts were not the superheroes they made out to be, but rather the Masters of Evil, a supervillain team, primarily slugging it out with the Avengers. Led by Baron Zemo, their goal was to gain access to national and international secret information and to further their mission with organised crime and world domination.

Another plot twist came when some Thunderbolts members started to dislike acting as superheroes, but rather liked being a superhero. After internal strife, the team eventually came under the control of the government and became a government-sponsored team, filled with reformed supervillains, similar to DC’s Suicide Squad.

The film will, to the best of my knowledge, mainly focus on characters we have met before, whether they are from a television show or a movie. These include Yelena Belova (Florence Pugh), Bucky Barnes (Sebastian Stan), John Walker/ U.S. Agent (Wyatt Russell), Antonia Dreykov / Taskmaster (Olga Kurylenko), Alexei Shostakov / Red Guardian (David Harbour), Ava Starr / Ghost (Hannah John-Kamen), and Valentina Allegra de Fontaine (Julia Louis-Dreyfus). The exception is Lewis Pullman’s Sentry, who I think plays the film’s antagonist, via the Void.

The film’s budget is about $200 million, so the expectations are high. Aside from TV’s Loki, I think this is the MCU’s first film that is centred around villains, but I could be wrong.

Ok, I have waffled on long enough, it’s time for the preview!


Thunderbolts #1 (1997) Credit: Marvel Comics

Am I looking forward to watching Thunderbolts*?

It’s a stupid question, I know, but I need to ask it. I’m looking forward to it as much as Popeye likes to eat spinach. To keep my promise of supporting comic book movies, I need to keep buying tickets. Plus, it’s a cool way to escape for two hours.

I have the habit of mentioning this, but it’s the truth. I don’t have Disney+, so I haven’t been able to watch key TV shows like The Falcon and the Winter Soldier, which have introduced some of these characters. Having said that, I’ll go back to Wikipedia and read the summary of the show. That sounds great, doesn’t it?

Because there is an ensemble cast, the dialogue will hopefully be sharp and witty. Hopefully.

I do have a small reservation about how they are going to handle and introduce the Sentry, a somewhat-Superman-type character into the MCU. His power level is off the chart, but his mental instability is another matter altogether. I hope they get it right, but is there a correct way to introduce a mortal god?

The box office did not support Captain America: Brave New World very well, which seems to be the new standard for superhero movies. Will Thunderbolts* suffer the same fate, or will it fare better?

What is the movie about?

According to Marvel.com, the premise is this:

Marvel Studios assembles an unconventional team of antiheroes—Yelena Belova, Bucky Barnes, Red Guardian, Ghost, Taskmaster and John Walker. After finding themselves ensnared in a death trap set by Valentina Allegra de Fontaine, these disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts. Will this dysfunctional group tear themselves apart, or find redemption and unite as something much more before it’s too late?

What can we expect?

The running time is 126 minutes, which means it just surpasses the two-hour mark, so be sure to pace yourself with drinks. I’m not sure what the rating is for other countries, but Thunderbolts* has received a PG rating in New Zealand, and I’m uncertain how to interpret that.

I can imagine the plot is going to be fast, because of the size of the cast, but also, the team has to break up before it’s reformed to save the day. I expect to see some great fight scenes, whether the Thunderbolts are fighting themselves or other people.

Since I don’t know The Falcon and the Winter Soldier very well, I can only guess that Valentina Allegra de Fontaine, is like an Amanda Waller-type character; a government director who has no time, patience, or respect for the members of the team, other than getting the job done; or if she is playing her own game. Who knows?

As always, since this is an MCU film, there will be references and cameos to appease the die-hard super fans, though I wonder how many I’ll miss!

Do I have concerns?

I’ve said this before, but I will always have concerns about superhero movies. Will they stick to the source material as much as possible, or will they stretch their creative limbs and do something outrageous? Is that a positive or negative thing? Who knows?

Here are some of my questions:

  • How accessible will Thunderbolts* be to viewers who have not seen the Disney+ TV show, The Falcon and the Winter Soldier?
  • Does the plot make sense?
  • Will the movie reference Captain America: Brave New World, or hint at The Fantastic Four: First Steps?
  • Why are the Thunderbolts involved in the first place?
  • Can the absence of the Avengers in the movie be believed?
  • Will the introduction of the Sentry be a success or failure?
  • Will other MCU villains be making appearances?
  • Will Taskmaster have a larger role than in Black Widow?
  • Can they truly explain how the Sentry got his powers?
  • How does Bucky fit into the plot? He is a free citizen, correct?
  • Where is the film’s continuity in the MCU?
  • Do the Thunderbolts have a choice to be in the team?
  • Does Valentina Allegra de Fontaine betray the Thunderbolts?
  • Will any of the Thunderbolts go free at the end of the movie?
  • Do the Thunderbolts only protect the United States?

There are probably more questions rattling around in that tiny mind of mine, but they will have to wait.

I’ve not read or heard any reviews about the movie, so I’m still optimistic about it, but I’ll let you know my thoughts next Monday with the review. Before I go, I want to address two things. The first is that my last day went better than I thought it would. I didn’t cry once!

The second thing is that I know the world is currently a scary and sad place. News keeps pouring in about Palestine and Ukraine, coupled with tariffs, the cost of living, and everything else. I get it. My preview about a movie that millions of people will never see, seems a touch removed from reality. I get it, I really do.

Just hang in there, I mean it. Look after yourselves and your family, and if possible, other people.

Thanks once again for reading, following, and subscribing to Some Geek Told Me. Remember to walk your dog, read a banned book, and hang in there, and I’ll see you this weekend for two special blog posts. It’s the start of May, so try and guess what’s happening!