Shakespeare movie adaptations that are hidden in plain sight: Vol 1

Step right up, step right up for another blog post detailing how humanity can cure cancer, solve climate change, and understand why children are weird. Oh, wait, I can’t answer any of those questions, sorry. At least not today.

Diving into the nearly five-year-old bag of suggested topics from the staff at Some Geek Told Me, I have selected a topic that, every six months or so, I decide to write, but talk myself out of it. However, the die has been cast, and the wait is over.

As hardcore followers of this amateurish attempt to educate people, you will know that this geek suffers from a Shakespeare affliction. I can’t recite speeches or explain what the hell the characters are saying. Though, to be fair, what I can do is explain the plots and the themes. Well, to be honest, it’s what I think the themes are, so I could be 80% wrong.

Granted, the works of William Shakespeare have lasted over 400 years, much to the disappointment of all secondary school students studying English. I love the motivations behind characters, both heroes and villains, as well as how relevant the stories can be to contemporary audiences.

Watching a Shakespearean movie or attending one of his plays automatically engages my brain to sit up straight, focus, listen, and try to keep up. Over the years, this has led the plays to be adapted into various media like movies, comics, novels, and TV shows, among others.

Some adaptations would keep Shakespeare’s language of Early Modern English, while others would use Modern English, but still keep to the plot. Some adaptations are set in 16th-17th-century Europe, others in modern times, while others are set somewhere in between or earlier.

For today’s lecture, we are going to look at one group of these adaptations: the movies. Typically, it’s quite easy to identify a Shakespeare movie adaptation, because of its name: William Shakespeare’s Romeo + Juliet, Henry V, Othello, Richard III, Hamlet, and Coriolanus, to select but a few.

They are direct adaptations, or as close as a film production can allow. However, young grasshopper, there are a small group of movies that are indirect adaptations of one of Shakespeare’s plays, but they are not advertised as that, for whatever reason. Several films can fit into this niche, so this blog post will be the first of many; the single consideration is that I’ll try very hard to only have one movie per play.

So, for your reading pleasure, I have collected four examples of movies that are secretly Shakespeare adaptations. I hope you enjoy this as much as I did writing it. Let’s begin now.


Image by beauty_of_nature from Pixabay

West Side Story (Romeo and Juliet)

We are going to start with a very obvious one, and for good reason. West Side Story was originally a musical adaptation of Romeo and Juliet, which had opened on Broadway in 1957. The production was a huge success, so a film was produced, based on the musical.

The film was released in 1961, which is what we will be comparing. In the Upper West Side of Manhattan, New York City, in 1957, is where we lay our scene. In comparison, Romeo and Juliet was written sometime between 1591 and 1595.

Both stories deal with star-crossed lovers, in the form of Romeo Montague and Juliet Capulet, along with Tony (Richard Beymer) and Maria (Natalie Wood) from West Side Story. The House of Montague and the House of Capulet are feuding families in Verona, with Romeo and Juliet belonging to opposite houses.

Maria’s older brother, Bernardo (George Chakiris), is the leader of the Sharks, a teenage street gang, looking to control the Upper West Side. The Jets are a rival gang of which Tony was a co-founder and former member.

Trying to keep the warring families at bay in Romeo and Juliet is Prince Escalus, with the equivalent being two characters, Lieutenant Schrank (Simon Oakland) and Sergeant Krupke (William Bramley) in West Side Story. Other similar characters are Mercutio, Romeo’s friend, and Riff (Russ Tamblyn), best friend to Tony; Tybalt, Juliet’s cousin, is Bernardo; while Count Paris, Juliet’s suitor, is Chino Martin (Jose De Vega).

The two stories follow events to their tragic conclusion, but with a subtle difference. In Romeo and Juliet, Mercutio is slain by Tybalt, Tybalt is then slain by Romeo, Paris is killed by Romeo, and both Romeo and Juliet kill themselves. Both Houses are in mourning, and thus, the feud ends.

In West Side Story, Riff is murdered by Bernardo, who, in turn, is killed by Tony. However, you are expecting Tony to kill Chino, but it’s the opposite; Chino shoots and kills Tony. Maria threatens to kill Chino, the Jets, and the Sharks because of their hatred, which has taken the lives of Riff, her brother, and her lover. In the end, she backs down, but she ultimately survives the carnage, and the feud ends.

On a personal note, Romeo and Juliet is often described as the world’s greatest love story. It’s not the ultimate love story; it’s one of the world’s greatest tragedies. Much like West Side Story, love, violence, hatred, and prejudice are woven into both tales to tell and explore the human experience. West Side Story is a love story as well as a tragedy. Tony dies, but Maria lives, so hope remains. As for Romeo and Juliet, their tragedy is complete, for never was a story of more woe, than this of Juliet and her Romeo.

The Lion King (Hamlet)

I’m sorry to point this out and possibly damage your childhood, but I am not the first person to say this; the story of The Lion King is actually Hamlet in disguise. Wait, just hear me out.

This tragedy has a prince who goes into mourning as his father, the king, has died. The prince’s uncle, his father’s brother, ascends the throne. The prince goes into exile with two friends and returns years later to a kingdom that is rotten.

If you had thought I had just explained Simba’s story when it came out in 1994, you would be correct; however, it also mirrors Hamlet’s journey, which was written between 1599 and 1601. The stories share characters and their equivalents, with Simba (Hamlet), Mufasa (King Hamlet), Scar (Claudius), Nada (Ophelia), and Zazu (Polonius), along with Timon and Pumbaa (Rosencrantz and Guildenstern).

Even though the early 17th-century royal court of Denmark is swapped for the plains of the Serengeti in Tanzania, the plots have parallel events, though not entirely. Both kings are murdered by their brothers, who take the throne and are terrible rulers; both kings appear as ghosts to their sons and give advice; Simba and Hamlet have a love interest in Nada and Ophelia, respectively; both princes go into exile; and Scar and Claudius both die at the end.

Disney could have gone all in with a more accurate adaptation with Simba killing Nala’s father by accident; Simba’s mother, Sarabi, marries Scar; Nala commits suicide by drowning; Simba goes mad with grief and vengeance; another pride of lions invades and takes over the Pride Lands; and lastly, Sarabi, Scar, and Simba, all die in the closing scene. It would have been a beautiful nightmare, with Simba/Hamlet’s story haunting a generation of children, all over the world.

10 Things I Hate About You (The Taming of the Shrew)

Viewed through a contemporary lens, The Taming of the Shrew can be some what problematic, considering it was between 1590 and 1592, when it was written. However, that did not stop Hollywood from having a crack at it. Back in 1999, 10 Things I Hate About You was released, and even though the titles were different, it was based on The Taming of the Shrew.

I hope the Bard can forgive me for breaking his comedic play down like this, but The Taming of the Shrew was set in Padua, Italy, where we met a nobleman, Baptista Minola, who has two daughters, Katherina and Bianca. Many suitors would like to marry Bianca, but her father has decreed that Bianca can only get married when Katherina does, but no man wants to because of her assertiveness, along with her quick and sharp wit.

Some plans focus on the suitors Hortensio and Gremio, but also include Lucentio, who also wishes to marry Bianca, and Petruchio, tasked with wooing Katherina. Typical Shakespearean romantic mischief ensues, with everyone ultimately finding love.

10 Things I Hate About You shares many plot points, names, and characters with The Taming of the Shrew. The film is set around the students who attend Padua High School. Walter Stratford (Larry Miller) has two daughters, and you guessed it, Katarina (Julia Stiles) and Bianca (Larisa Oleynik). Like a similar decree from Baptista Minola, Walter explains that Bianca is only allowed to date when her older sister does.

Enter Cameron James (Joseph Gordon-Levitt), who has fallen for Bianca, so he enlists help from Patrick Verona (Heath Ledger) to woo the anti-social Katherina, so Cameron can date Bianca. By the end of the film, everybody is happy like a 90s high school film should be. It also had a Shakespeare reference with Sonnet 141.

O (Othello)

If you have been keeping score, and why wouldn’t you be, we have discussed two tragedies and one comedy. I’m a bit inclined to favour the tragedies, since they can teach us a lot about ourselves. Case in point, here is another tragedy, Othello.

Written about 1603, the story of Othello is a blueprint of having it all and losing it to jealousy. It’s a cautionary tale about Othello, a military commander, who is tricked and manipulated by one of his lower-ranked officers, the traitorous Iago, into believing that his wife, Desdemona, is having an affair with another officer, the loyal Michael Cassio.

In some academic and literary circles, Iago is considered to be the worst villain in all of Shakespeare’s works, and it’s not a surprise; he ruins lives. By the end of the play, Iago had murdered his wife, Emilia, and Roderigo (a nobleman), while stabbing Cassio, but not fatally. Othello had murdered Desdemona by smothering her, because of Iago’s lies, then realised Iago was behind it all, and stabs him, but he survives.

Othello then commits suicide by stabbing himself. Iago is arrested and taken away, but famously refuses to explain his motivations. Othello has mischief and hijinks, but it is not comedic; it’s just fraught with paranoia and jealousy.

Like 10 Things I Hate About You, O is set in modern times, with American teenagers. Mekhi Phifer stars as Odin (Othello); Josh Hartnett as Hugo (Iago); and Julia Stiles is back again, but this time she plays Desi (Desdemona). We also have Andrew Keegan as Michael Cassio (Michael Cassio), Elden Henson as Roger Calhoun (Roderigo), Rain Phoenix as Emily (Emilia), John Heard as Bob Brable (Brabantio, Desdemona’s father), and Martin Sheen as Coach Duke Goulding (The Duke of Venice).

The story of O does not centre around soldiers and officers, but rather high school basketball players and students. O follows the events of Othello, with Hugo manipulating people and events, but the end is still the same. Hugo shoots and kills Roger, along with his girlfriend, Emily. Odin strangles Desi to death, then shoots himself after learning that his friend, Hugo, had caused all of the chaos. Hugo, vowing not to reveal his motivations, is arrested by the police.

As I said earlier, many more films have been based, even loosely, on Shakespeare’s works, and this blog post will return to discuss more of them. But like I also said, only one movie per play, so Romeo and Juliet, Hamlet, The Taming of the Shrew, and Othello are done, with more to follow.

Do you have a favourite movie that is secretly a Shakespeare adaptation? As always, please let me know.

That’s it for me this week. Thanks again for reading, following, and subscribing to Some Geek Told Me. Please remember to walk your dog, read a banned book, donate to a food bank, and I’ll see you next week, where I discuss comics for a change.


Finally, my Star Wars: The High Republic post is here

Well, this blog post has been years in the making. I’ve hinted at this for some time, and now that my sponsorships are under control and I’ve completed the press tours, I feel it’s the right moment to write a blog post about the Star Wars: The High Republic series. I’m now rich and famous for running New Zealand’s fifth least favourite website, so it seems like the perfect opportunity to share my thoughts on this important subject.

Let’s establish an ugly truth before we begin: not every person on this planet has seen a Star Wars movie or TV show, or read a Star Wars novel or comic book; while some people, for some strange and unexplained reason, don’t like Star Wars. I know, it’s difficult to believe, but it’s true.

It’s been well and truly documented that I’m a geek and a fan of the world’s most famous space opera. This shouldn’t be a surprise to any of you. Seriously, it shouldn’t.

In terms of my Star Wars diet, I’ve been reading Star Wars literature in the form of novels and comic books for decades. Yes, I enjoyed the films, and since I won’t dive into that today, they left a void in me. I wanted more from that fictional universe, especially learning about the Jedi and events before A New Hope.

Enter Tales of the Jedi from Dark Horse Comics, and my prayers were answered. I think I discovered Tales of the Jedi at a library, and I was instantly hooked. Stories about the Jedi, set thousands of years before the Battle of Yavin? Sign me up.

It was a chance to tell new and exciting tales about the Star Wars universe, without being bogged down with continuity problems, since they were set thousands of years ago. I read the trades, then sourced all of the single issues, because I felt the entire series was made for me. I loved it.

Dark Horse later released Star Wars: Knights of the Republic, Star Wars: The Lost Tribe of the Sith-Spiral, Star Wars: Knight Errant, Star Wars: Jedi vs Sith, Star Wars: Republic, Star Wars: Dark Times, and one of my favourites, Star Wars: Dawn of the Jedi, among others.

Since then, various novels have been released, detailing thousands of years of Jedi and Sith, as well as the years leading up to The Phantom Menace and The Clone Wars. This also does not take away from the Canon stories exploring everything after A New Hope, either. I’ve enjoyed the Star Wars books I have read, but my love for Tales of the Jedi was enduring.

I felt I was starved for new Canon Star Wars content that was set hundreds or thousands of years before the Battle of Yavin. Legends’ stories were all over that, but the new stories seemed to be focused elsewhere. However, that changed with Star Wars: The High Republic.


My Star Wars: The High Republic novels

Essentially, The High Republic was1 a massive multi-media project, spanning novels (adult, young adult, middle-grade, young readers) comic books, audio drama, web series, manga, reference books, and short stories, with one animated TV show (Star Wars: Young Jedi Adventures), and one live action TV show (Star Wars: The Acolyte). The creators were a mix of seasoned Star Wars writers and new writers, not including the multiple artists.

The High Republic was set about 150 years before A New Hope, with both the Galactic Republic and the Jedi Order being at their prime. This is a time when thousands of Jedi patrol the galaxy, and new worlds are being discovered, and are invited to join the Republic. It’s an era of potential and exportation, when relative peace and security are a steady theme within the galaxy.

That sounds amazing, but would people want to read stories about Jedi travelling to distant worlds to mediate, or just enjoy having easy and stress-free lives? No, the Jedi needed a challenge to push them to become better. The Sith are still hiding throughout this time, so if the Sith aren’t the villains, the Jedi need someone else to fight!

This beautiful transition brings us the Drengir and the Nihil. The best way to explain the Drengir is that they are a sentient carnivorous plant species who have a connection to the Dark Side of the Force. They also have a hive-mind that is controlled by the Great Progenitor, who acts like the Borg Queen.

They had tentacles, thorns, various poisons, huge mouths, and an unending appetite for meat, which came in the form of whatever organisms they could find. During the series, the Drengir were wiping out villages, settlements, and colonies scattered across the galaxy.

The main villains of the series were the Nihil, who were described as space vikings. The creators put in a lot of effort in fleshing them out, since they were led by Marchion Ro, an Evereni who had an all-consuming hatred of the Republic and the Jedi.

The Nihil had a caste system, and they terrorised worlds and spaceships with raids, killing anyone that got in their way and taking whatever they wanted. Their spaceships had Path Engines, which were an engineering masterpiece and a secret weapon.

As I understood it, a normal spaceship that had a hyperdrive could make jumps through hyperspace across massive distances. However, Path engines allowed the Nihil to make micro-jumps through hyperspace, or even within a planet’s atmosphere. It meant the Nihil could make micro-jumps within a space battle and destroy or conquer spaceships with ease.

Throughout the series, they executed various gigantic plans across the galaxy to spread fear, terror, and to lay claim to new territories, as well as humiliating the Republic and destroying the Jedi Order. They did this through the aforementioned plans, but they also had an ace up their sleeve.

Marchion Ro used unique creatures. Called by several names, like The Shrikarai, the Nameless, and Shrii-ka-rai, these creatures were Force Eaters, which meant they survived and consumed the Living Force. As you can guess, their Force-sensitive victims were drained of the Living Force, and their bodies were converted to husks. And if their victims were Force-sensitive, it meant that their greatest strength became their greatest weakness.

Having a Nameless approach someone who was Force-sensitive would distort reality for that person, and affect them emotionally, physically, and mentally; but the main reason the Nameless were deadly was that Jedi were supposed to be mindful of their feelings and be able to suppress fear, but the Nameless made the Jedi afraid. They made the Jedi feel fear.

It’s an interesting take to see the brave Jedi being reduced to crying and screaming messes on the ground, when a non-Force-sensitive lifeform would be unaffected.

And speaking of Force-sensitive people, the creators have, in my opinion, been courageous in presenting other organisations that are connected to the Force, other than the Jedi and the Sith. Just because you are sensitive to the Force does not automatically mean you are destined to fall into the two camps of Jedi or Sith. It was great to see other organisms using the Force and helping communities, by not using a lightsabre.2

Phase III Star Wars: The High Republic Comics. Credit: Marvel & Dark Horse

Across the series, we have been introduced to many new and different Jedi. This relates to their species, type of lightsabre they use, and rank in the Jedi order, which is nothing new, since we were exposed to this with The Phantom Menace. However, the creators introduced something I believe I have never seen or heard of before: the way organisms feel, experience, and perceive the Force is different.

Albert Einstein explained with his theory of special relativity that there is no universal clock, so nobody experiences time the same way; we all experience time differently. This is much the same as how a lifeform experiences and perceives the Force, which will be different from everybody else. One Jedi experiences the Force as an ocean, another as music, and another as a forest. It was a cool concept.

We met new Jedi like OrbaLin, Burryaga Agaburry, Lily Tora-Asi, Sav Malagán, Ram Jomaram, Qort, Lula Talisola, Vernestra Rwoh, and Porter Engle, to name but a few. It was interesting to read about them in a novel, then discover them in a comic book, and vice versa. Star Wars: The High Republic also introduced lots of non-Jedi characters like Chancellor Lina Soh, Sevran Tarkin, Alys “Crash” Ongwa, Ty Yorrick, Tey Sirrek, Zeen Mrala, and Geode, along with many more.

The series was released in phases, which included the various media from January 2021 to June 2025. The main focus was the novels, with the comics, manga, and audio dramas still accessible to stand alone. The web series was released before the launch, so readers could understand the characters better and the time period.

With each phase, new content would slowly be released across, roughly 18 months, then go into hiatus, to reset for the new phase. Each phase was divided into Waves (1-3), which would include a novel, a young adult novel, and a middle-grade novel, so three books per wave meant nine books per phase.

Through the different phases, two main comic books were running, Star Wars: The High Republic from Marvel, and Star Wars: The High Republic Adventures, first released from IDW, then Dark Horse took over publication with Phase II.

Multiple comic book mini-series were also released through the three phases, along with one-shots, six manga, and three audio dramas (also available as scripts). The picture, art, and reference books were published near the end of each phase, but I could be wrong about that.

Phase I: Light of the Jedi was the first entry into the series, with nine novels. They set up the scene for the golden era of the Republic and the Jedi, which was about 150 years before A New Hope, where Jedi numbers were in their thousands. The Nihil, Drengir and their mischief-making were introduced across the phase.

Phase II: Quest of the Jedi was different for two reasons. The first reason was that the time period shifted, because we journeyed back another 100 years, before Phase I, to where the Outer Rim was still being explored. I think it was done to allow the readers to process the events of Phase I and to answer some questions that were raised. The other reason was that, instead of nine novels being released like in Phase I, only six were published in Phase II.

Phase III: Trials of the Jedi had another time jump and picked up the story one year after the events of Phase I. Some characters had died, and others grew through character development. I would like to add extra information to Phase III, but I can’t.

The thing is, even though Star Wars: The High Republic has finished, I have not finished reading Phase III. Nine books were published in this phase, and not counting the comic books and manga, I have only read the first four: Escape from Valo, The Eye of Darkness, Defy the Storm, and Temptation of the Force.

My local bookstore is still waiting for the paperback editions of Beware the Nameless, Tears of the Nameless, Into the Light, A Valiant Vow, and Trials of the Jedi, along with the script of the Tempest Breaker audio drama.

I have the final chapter in the series, the Marvel one-shot, Star Wars: The High Republic: Finale, waiting patiently to be read, only after the other six books have been located and read. It’s difficult because I really want to read it, but I’ve waited this long, so I can wait some more.

I’ve really enjoyed reading Star Wars: The High Republic. Meeting both old3 and new characters and travelling to new planets has been a thrilling experience. I’ve been eagerly waiting for a massive Star Wars project like this for over half my life.

The motivations behind the actions of characters, along with their visual designs, have been quite beneficial in the different media, which have allowed the creators to explore and showcase various characters in new ways.

A lot of them were complex, because as children, we were taught a person is either good or bad, but life isn’t as binary as that, with people having the potential for both good and bad. I thought it was a mature choice from the creators to reflect that.

As for reflection, I know a lot of people complained about the inclusion of many LGBTQIA+ characters in the stories. Personally, I found their complaints to be hilarious, because it’s a fact that not every Star Wars fan is a middle-aged straight white male.

As a business model, if you’re selling products involving fictional characters, you want any person, of any background, to be able to pick one of your products and to be able to see themselves in it. You want to cater to as many people as possible. Star Wars should be for anybody, not just the die-hard fans, because you want the next generation to fall in love with it, just like you did.

It’s also been clever not to have the Sith as the antagonists, because other factions hate the Jedi as well. They were hiding at the time, so why expose themselves? Because they do that in The Phantom Menace, after thousands of years of waiting, planning, and killing themselves.

I loved this series, but I have only two small disadvantages with it. The first is the cost, though that depends on how far you want to dive into the project. If you’re only interested in the novels, then the story will make sense. And if only comic books float your boat, then you can still enjoy the story as well.

However, if you’re anything like me, you would want to read as much as you can, to fully explore this time period, with novels and comic books, so it’s going to cost you. Though in saying that, you can take your time with the collection, so there’s no hurry.

The other point is probably criticism towards me rather than the series. Because there were so many characters, I sometimes found myself reading about a character that I couldn’t remember. I would have to stop, quickly research that character, curse myself for being stupid for forgetting them, then continue reading.

I hope the Star Wars franchise creates another multi-media project like The High Republic, because if they do, I’m there. When UMC1 and UMC2 are interested, the novels are waiting for them. Not the comics, though, that’s another discussion.

And with that, this overly bloated blog post is finished. Have you read any of the Star Wars: The High Republic or have any thoughts about it? As always, please let me know.

Thanks again for reading, following, and subscribing to Some Geek Told Me. Please remember to walk your dog, read a banned book, try to close a revolving door, and I’ll see you next week.


1 I believe the main High Republic story has finished, but some comics from Phase II are being released to expand upon this time period.

2 Yes, I know I have used “lightsabre” rather than “lightsaber.” I use British/New Zealand English, not American English, so I’m sorry, but not sorry.

3 I’m looking at you, Yoda.

San Diego Comic-Con 2025: What did we discover?

So this is San Diego
And what have you done?
Another Comic-Con over
And a new one just begun
And so this is San Diego
I hope you had fun
The geek and the nerdy ones
The boomers and your mum.

Can you believe that San Diego Comic-Con has already checked into the hotel, trashed the bed, glued the furniture to the ceiling, drank all of the mini-bottles, and left again?! It’s amazing that the largest geek-laden event on the planet has been and gone for another year, but this means we get to discuss it!

Before we push on further, with what will be another pulsating lecture by yours truly, let’s establish what in the Nine Circles of Dante’s Hell I’m talking about. I’ve mentioned this before, so why mess with success!

San Diego Comic-Con is an opportunity for some of the world’s leading entertainment companies to showcase their upcoming products, including toys, anime, computer games, manga, books, comics, movies, and TV shows, to the ticket-paying fans and the rest of the world.

One day I’ll get to go there. I’ll probably have to sell a kidney and take out a second mortgage, but I’ll get there one day.

I can only imagine that you can get anything you need at San Diego Comic-Con: t-shirts, back issues, DVDs, action figures, books, and information. A lot of information. After reviewing the numerous announcements that I could find, I have selected a few that caught my interest. Even George Lucas made an appearance!

Sadly, just like a mogwai, there are some rules with something that I have written.

1.) I have not read or seen every article or trailer released from San Diego Comic-Con. I can only discuss the things I know of, but also things I’m interested in.
2.) Just because a product is on my list doesn’t mean I’ll get to see or purchase it. Quite simply, if something has landed on this list, it has my attention, regardless of whether I watch or purchase it.
3.) I have included some information and trailers that were released just before San Diego Comic-Con. This is because I’m the lead writer on this venture, so what I say goes.
And with that, let us be entertained by franchises and companies fighting each other for our hard-earned money!


Credit: San Diego Comic-Con

Literature: (Books and Comics)

This year, this section is quite sparse for me. All of the Star Wars: The High Republic books have been released, but I have not read all of them yet. As for the comics, there were a lot of interesting announcements, namely Ultimate Endgame, but also that Absolute Wonder Woman won the Eisner award for the Best New Series, by Kelly Thompson and Hayden Sherman.

The four main announcements that I am definitely going to find are:

Deadpool/Batman #1 (From Marvel)

Credit: Marvel/DC

Batman/Deadpool #1 (From DC)

Credit: DC/Marvel

Absolute Batman 2025 Annual #1

Credit: DC

Absolute Evil #1

Credit: DC

(Yes, I’m still a sucker for the Absolute Universe. The titles are nailing the characters, they are superb.)

Movies:

Spinal Tap II: The End Continues

This is Spinal Tap is one of my favourite films, as it’s chock-full of comedy gold and gems. It came out in 1984, so I thought the time for a sequel to the film was dead and gone. Imagine my surprise when I saw the trailer for Spinal Tap II: The End Continues!

I never knew about the existence of this film, so I will definitely be watching that. It’s made me search for the original to watch it again. The premise of the film is that the band had broken up, but they are reuniting for a one-night-only show. You can dial that to 11.

Predator: Badlands

I’ve seen Prey, and I thought it was a positive chapter in the Predator franchise. As for Predator: Killer of Killers, I have not seen it, so I can’t comment about it. In saying that, Predator: Badlands looks intriguing for two major reasons.

The first reason is that the writer and director of Prey and Predator: Killer of Killers, Dan Trachtenberg, is back behind the camera for the next Predator instalment. Like I said before, even though I haven’t seen Predator: Killer of Killers, Prey was enough for me to respect Trachtenberg’s vision for the films.

The second reason is that it appears Predator: Badlands is blending Predator with Aliens concepts, namely a synthetic created by the Weyland-Yutani Corporation. Is Predator: Badlands offering us a soft reboot of Aliens vs. Predator, or is it going somewhere else? I don’t know, but I want to find out.

The Long Walk

I’ve read a lot of Stephen King books, but I have not read all of them, and The Long Walk is one of them, I’m ashamed to admit. I understand that The Long Walk is based on the book, though how faithful it is to the source material, I can’t answer that question.

The concept seems simple. Wikipedia states that, “In a dystopian United States ruled by a totalitarian regime, a group of young men enter an annual walking contest in which they must maintain a speed of at least three miles per hour or risk execution. The contest ends when only one walker remains alive.”

I’ve been a King fan since before Pennywise and Maturin emerged from the Void, or Roland Deschain’s first turning of the wheel. At some point, I will be watching The Long Walk.

Television shows:

Peacemaker: Season 2

I’ve said this before, but Peacemaker had no reason or right to be as good as it was. It was brutal, hilarious, and creative, all at the same time. Essentially, what I’m saying is that I thoroughly enjoyed it. So, my expectations for the second season have increased.

John Cena had a cameo as Peacemaker in Superman, and from what I understand, the show is set after the events of the film. It will also explore the ramifications of Christopher Smith (Cena) killing Colonel Rick Flag Jr in The Suicide Squad. If the new season is as funny as the first, it will be great!

Alien: Earth

Alien: Romulus was a hit last year, but this is the first time the Alien franchise has dipped its toes into the world of television. On paper, Alien: Earth sounds and looks interesting; a spaceship crashes on Earth, carrying some nasty human-killing creatures, including the Xenomorphs.

It looks creepy as hell, and the set designs are impressive. I could be wrong about this, but this is the first time in canon that Xenomorphs have reached Earth, and it’s going to be horrific, but only in a good way. If only I’m brave enough to watch it.

IT: Welcome to Derry

I’ve been fortunate enough to have read the novel, seen the mini-series, and both movies, so IT: Welcome to Derry will not be an unknown concept to me. From what I understand, Bill Skarsgård is back as everybody’s favourite human-eating clown-entity, Pennywise, as well as having Andy Muschietti attached to the project.

Apparently, the show is set in 1962, which makes it a prequel to the two movies. Since it’s based on work from Stephen King, we can only imagine we may have cameos from other characters. I’ll watch with one eye open.

The Legend of Vox Machina: Season 4 

My wife got me into Critical Role’s The Legend of Vox Machina, as it was something we both enjoyed watching together. I know next to nothing about the upcoming season, so I’m happy for it to be a surprise. Though it wouldn’t be nice for Grog to have a love interest! Imagine the carnage!

The Mighty Nein

And speaking of Critical Role, the Mighty Nein (or The Sensual Seven?) will be released later this year. I believe the show is set 20 years after The Legend of Vox Machina, as it’s on the same world, just a different continent.

If The Legend of Vox Machina is any gauge, then my wife and I will have to watch The Mighty Nein together.

Avatar: Seven Havens

To the best of my knowledge, there was no trailer for Avatar: Seven Havens, but Nickelodeon released an image from the show. The story is set after The Legend of Korra, with the new Avatar, who is an earthbender.

The world of Avatar: The Last Airbender still has some surprises and adventures for us to explore, and I can’t wait for UMC1 and UMC2 to experience them as well.

Courtesy of Nickelodeon

Like I said previously, I didn’t catch all of the news, so maybe I missed some important news. What announcements from San Diego Comic-Con were you interested in? As always, please let me know.

Alright, that’s another blog, for another week. Remember to walk your dog, read a banned book, speak out against the Palestinian genocide, and I’ll see you next week for the overdue return of the Solar System’s worst tour!


The Fantastic Four: First Steps-Movie Review

The world is trucking along, experiencing earthquakes in Russia; France, Canada, and the United Kingdom recognising the State of Palestine; Kash Patel hanging out with Winston Peters; and a convicted felon was discovered cheating at golf on his own golf course, as well as a new Some Geek Told Me blog, in the form of The Fantastic Four: First Steps-Movie Review.

It seems only last week that I was writing the preview for the movie, and time has passed in the only way it can: painfully slowly during the week and quickly at the weekend, bringing us to this day. So, without prancing around like a person who likes to prance around, let’s move into one of the world’s most beloved literary works, a Some Geek Told Me movie review!

You know how the classic story goes:

  • I buy a movie ticket days in advance.
  • I arrive at the cinema and purchase a drink.
  • I proceed to enter the theatre without anybody asking to see a ticket. Every. Single. Time. It’s amazing.

Anyway, the theatre was about 1/3 full, which for a Tuesday night, was not too shabby. It was one of those times there was no allocated seating, so I planned to go in the middle of the back row; however, a young couple had already nabbed the coveted section, so I sat a few seats away from them. No one is perfect.

As for the trailers, it was another case of showing trailers for children’s movies, and not a single movie aimed at adults. In saying that, an argument could be made that Pixar’s Hoppers could fit into both groups.

So after the trailers had finished, it was time for the Fantastic Four to enter the MCU! As always, let’s go over the rules of the review.

1.) Please be aware there will be spoilers concerning the movie, so proceed with extreme anxiety and caution.

2.) The aim of my reviews are not to rip apart the subject or trash it. If I liked the subject enough to watch it, then I’ll give my honest (possibly biased) opinion.

3.) I’m not a professional critic, so I’m not going to dive into deeper concepts and themes, or the art of filmmaking. I’m just a geek; always have been, and always will be.

I’m not here to lick windows, so let’s get on with the review!


Credit: Marvel Studios/Disney and my local cinema

First things first, did I like the movie? I did actually. I realise that the MCU has been chugging along since 2008, and The Fantastic Four: First Steps is the 37th chapter, but I liked it. I really did. I mentioned in the Thunderbolts*: Movie Review, that I hoped that the MCU could continue its momentum, so maybe they have.

Things I liked:

A few things stand out to me from this film. The first topic of conversation was the visuals, which included the sets and special effects. With the way modern movies are filmed, you have no idea if the performers are standing on a physical set or just standing in front of a green screen. It’s the same with The Fantastic Four: First Steps, since some of the sets looked so real and tangible, I couldn’t tell the difference between reality and CGI. To me, that’s a good thing.

This, of course, leads into the gorgeous retro-futuristic aesthetics, which ranged from period costumes to the buildings to the Fantasticar. Earth-828 feels like a lived-in world, and in my humble opinion, that’s an extraordinary thing.

With visuals for the characters, well, I was not disappointed. This was the first time that Mister Fantastic’s elastic powers did not look weird and fake. Also, when the Human Torch took flight to see what was causing the light show, as in the Silver Surfer’s arrival, I think there was a lens flare on the camera, coming off his flames.

The scene with Sue making her womb transparent, so Reed could see Franklin, was creative and beautiful. As a father, I would have loved to have seen UMC1 and UMC2 as Reed had done. The film-makers had thought outside the box with Sue on that one. That was transformative.

Sue also had two awesome moments, when she explained that she would not be sacrificing the world for her son, just like she would not be sacrificing her son for the world. The other was when she started pushing Galactus through Manhattan and into the teleportation portal.

Like I said last week about watching the trailers, Ben Grimm looked spectacular, and he was. It was the best live-action version of the Thing I have ever seen, and that included developing his personality, losing the angst from the previous films, and giving the public the real, “Blue-Eyed Lovin’ Thing.” Grimm was happy being the Thing, which provided an anchor point to the film.

When a comic-book character gains powers or is transformed, they traditionally look the same or have a slight variation. Within Marvel, Archangel has his wings, Wolverine has his claws, and even Bruce Banner can change into the Hulk and back again. But like Nightcrawler, Triton and many others, the Thing can not transform into his human self again, because he is a rock creature, 24 hours a day, seven days a week.

Ben Grimm is always the Thing, all of the time, but he’s alright with that. He’s upbeat, being a rock creature, so he may not like it, but he has accepted it; he’s relatable. He’s not moping about trying to find a cure, because he was too busy making friends and protecting his neighbourhood. It was stunning to see his eyebrows!

The dialogue among the members of the Fantastic Four was excellent, just as I had hoped. Each character brought something unique to the conversation. It was interesting to see Reed struggling to find an answer to a question, while Johnny was portrayed as intelligent and creative. Ben grew a beard, adding to his character development, and Sue once again demonstrated that she is the most powerful member of the team.

I had previously seen the Silver Surfer’s entrance on a video before the film opened, which featured her saying, “I herald his beginning. I herald your end. I herald… Galactus”. I have to admit, that speech did not lose any of its potency in the theatre. Julia Garner was terrific as the Herald of Galactus.

I thought Paul Walter Hauser’s Harvey Elder / Mole Man was going to be just a cameo, but he came back to play a larger role, along with a few one-liners, with one destroying Johnny by commenting on his clothes. I’m going to remember that burn.

Finally, we have reached the Destroyer of Worlds, Galactus. As I mentioned last week, 2007’s Fantastic Four: Rise of the Silver Surfer featured Galactus, but it resembled a world-eating cloud entity. The film-makers changed this by having Ralph Ineson play Galactus, and I loved it. Seriously, seeing Galactus sitting on his throne, as well as stomping around Manhattan, was staggering.

Galactus’ height will always be up for debate, but having a man hundreds of metres tall walking around is an unsightly and ludicrous image; however, it was still fantastic. Who else could wear such an audacious helmet but Galactus? I was so pleased with his appearance.

Things I disliked:

This MCU film was a little odd for me, because I really liked it. I came out of the theatre, feeling quite positive about it. Maybe I was still riding the wave from Superman, or watching Galactus and the Thing, but I was thoroughly entertained. However, as I have said before, no movie is 100% perfect.

Over the years, I have noticed a recurring theme in TV shows, movies, and comics that annoys me. While I understand that the Fantastic Four originated from a comic book, I often find it frustrating that alien invasions or attacks from other countries typically take place in the United States, specifically in New York.

DC are guilty of this, but the greatest offenders are Marvel. I know their target audience is Americans, but as a non-American, it can be tiresome to read or watch aliens or foreign countries invade America. Aliens invading New York, or at the least, the United States, has been used so many times in movies that it’s very predictable.

My example to this problem is this: the Silver Surfer arrives on Earth, and she could go anywhere on the planet, absolutely anywhere, but not only does she decide to visit the United States, but New York, no less. And the very first humans on the planet that she meets happen to be the Fantastic Four?!

Why didn’t Shalla-Bal decide to visit India or China, two of the most populous nations on Earth? She could have gone to Indonesia, Brazil, Japan, Russia, Nigeria, Pakistan, Tanzania, or Greece, but she didn’t. She went to the United States, like no other country exists.

As for the city, New York ranks about 10th in size on the globe, with Tokyo, Delhi, Shanghai, and São Paulo all larger. Why didn’t the Silver Surfer arrive in Mexico City, Cairo, Mumbai, or Beijing? Is English the only human language she knows? I understand the plot needs to be driven forward, but it still could have worked if the Silver Surfer arrived in another country, and the Fantastic Four travelled there to greet her.

Another point I want to address is that I do realise the film was not about the Silver Surfer, but the scene where Johnny talks to Shalla-Bal in her native language and forces her to confront her actions was creative. The guilt of her being the Herald of Galactus had finally caught up with her, forcing her to face her mistakes.

After surrendering to the torment, Shalla-Bal took off, then finally appeared to save Johnny and to push Galactus through the portal. It’s a small issue, but the Silver Surfer disappeared for maybe 20-25 minutes of film time, to suddenly betray her lord and master; but as the viewer, you’re not given any insight or more explanation about her betrayal. Where did she go after flying away from Johnny? What thought processes led her to rebel against Galactus?

Like I said, it’s a small issue, but as a fan, I would have appreciated seeing the Silver Surfer wrestle with her past deeds against her soul and loyalty to her lord. It would have added more depth to the character and explained why she decided to stand up to Galactus, rather than being a plot device or a deus ex machina.

For my final point, we need to discuss Franklin, because Marvel has opened Pandora’s Box for a fourth time by introducing characters with immense power levels. First, it was the Scarlet Witch, then Adam Warlock, The Sentry, and now, Franklin Richards. Four characters with reality-warping powers or super-enhanced strength abilities.

Yes, the Scarlet Witch is dead, but the multiverse is a massive place, so never say never. So this leaves Adam Warlock, the Sentry and Franklin to solve, possibly, any problem in the MCU. In the comics, Franklin is highly overpowered. I mean, in one future-set story, Franklin became Galactus.

Franklin is a significant and complex character in Marvel lore, which makes his introduction into the MCU challenging. Film-makers must take their time to explore his powers thoroughly, providing detailed attention to the plots of future projects. They need to exercise caution in how they portray him. I have concerns about their approach, as they cannot overlook Franklin, just like they cannot ignore Adam Warlock and the Sentry.

The die may have already been cast because of the time-jump in the mid-credits scene, when Sue left the room to retrieve a book for Franklin, to discover a person kneeling and talking to Franklin. That person was Doctor Doom. So, it appears that the Ruler of Latveria is trying to recruit, or maybe already has recruited Franklin, which will directly lead into Avengers: Doomsday, which is out in December 2026.

Ironically, I discovered this video explaining a theory of Doctor Doom’s origin in the MCU, which is compelling.

And speaking of theories, my theories about Galactus and Franklin were wrong, but not 100% wrong. The correct answer was a little from Theory A, and a little from Theory B, to create Theory C.

Theory C: The Silver Surfer finds Earth as per her instructions to locate planets full of life. She alerts Galactus of the snack. However, before Galactus can get his Uber ride ready, the Fantastic Four turn up to talk with him. It’s at this point that Galactus detects Franklin’s power level. He then offers Reed and Sue a deal, to trade Franklin for the Earth.

Like Superman, I have only added these criticisms because I’m just being pedantic, as I liked the majority of the movie.

So, what about my preview questions?

  • Where is the film’s continuity in the MCU? I would say it is set before Thunderbolts* but before or during Avengers: Doomsday.
  • Does Galactus destroy the Earth, or will he be defeated by the Ultimate Nullifier? To the best of my knowledge, there was no Ultimate Nullifier reference, as he was defeated by being pushed through a teleportation portal, thus saving Earth.
  • Will the dialogue between the members of the Fantastic Four be smart, witty, and heartfelt, or will it tank? I think overall, the dialogue was great. It was witty and sharp when it needed to be, just as it was dramatic and serious as the plot developed.
  • Considering the movie takes place on another Earth, will there be any main MCU cameos or references? Even though there were no direct MCU cameos and references, there were still Marvel references. We had the Fantastic Four battling Peotr the orangutan, one of the Red Ghost’s Super Apes. Apparently, John Malkovich played Red Ghost, but the scenes were cut from the film. We also had Reed mention he had been tracking the Puppet-Master, the Wizard, and Diablo, as well as featuring the Giganto fight scene, mirroring the cover of The Fantastic Four #1.
  • Will the Yancy Street Gang appear? Please be a yes! No, however, I believe a news report mentions, “The Yancy Street Bookies.” I may have misheard it, but that’s what it sounded like.
  • Does Franklin develop and grow super quickly? No, Franklin developed at the normal rate. The film established the pregnancy discovery in Act 1, then did a montage of events to signal time passing. Franklin was born, and when the mid-credits scene appeared, there was a time-jump of 2-3 years, with Franklin appearing as a preschooler.
  • How large a role will H.E.R.B.I.E. play? It concerned me that H.E.R.B.I.E. may have been a punching bag or been used as a jester-type character, but I was wrong. All of the members of the team treated H.E.R.B.I.E. like he was a part of the family, because he was.
  • Will the origin of the Fantastic Four be explained as being set in the present, but with a flashback, or will the characters gain their powers in Act 1, then have a time jump to progress the story? This was clever because when we meet the Fantastic Four for the first time, they already have their powers. Their origin story was told through the means of The Ted Gilbert Show, which used “old” TV footage of the Fantastic Four’s departure to space and arrival back to Earth, four years ago.
  • Are Reed and Sue aware of Franklin’s abilities? Do they witness him doing things or just detect his power level using technology? As you can imagine, both parents are concerned; Reed more than Sue, that Franklin could inherit some abilities or powers from his parents. Reed conducted several tests, and the results are negative. They only learn of Franklin’s powers because Galactus used the Power Cosmic to detect and scan Franklin while he was in the womb. Later on, Franklin resurrects Sue from the dead after the final battle.
  • Will the Silver Surfer betray Galactus? Yes, she did, and I’ve already discussed that question. Thanks for asking.
  • Will there be any Negative Zone, Doctor Doom, Annihilus, or Valeria Richards references? Yes and no. There were no Negative Zone, Annihilus, or Valeria Richards references, but Doctor Doom made a mid-credits cameo, along with his empty Latverian seat at the United Nations.
  • For Galactus’ origin, how will it be explained? Reed tried to explain Galactus’ origin, but because of Galactus’ power level and age, Reed was not confident of his findings, since Galactus was beyond Reed’s level of understanding and research. In saying that, Reed mentioned that Galactus may have come from a time before the Big Bang, which paired with the information Galactus was chatting about, while sitting on this space throne.
  • On Earth-828, is Reed considered to be the smartest person on the planet? That was unclear, but he’s certainly regarded as one of the smartest people on the planet.
  • Does Johnny say “Flame On!” to activate his powers? No, he didn’t; however, his action figure did.

Just before I end this awful review, I want to say how important it was to have a small tribute to Jack Kirby at the end of the film. It brought a smile and tear to my face.

Overall, I have to say well done to Marvel, because I thoroughly enjoyed it. The Fantastic Four: First Steps was indeed a great first step into Phase Six.

Anyway, don’t trust me, go watch it for yourself, so you can be the judge. Have you seen The Fantastic Four: First Steps? Please tell me your thoughts about it. I would love to know.

Ok, that’s another blog for another week. Thanks once again for reading, following, and subscribing to Some Geek Told Me. I toil away to keep myself sane and hopefully entertain you. Remember to walk your dog, read a banned book, keep pushing for more international recognition of Palestine, and I’ll see you on Saturday for an extra blog.


The Fantastic Four: First Steps-Movie Preview

I have just wrapped up the first movie preview/review for the DC Universe (DCU) with Superman, but here we are once again, at the dawn of a new Marvel Cinematic Universe (MCU) film, The Fantastic Four: First Steps.

I typically don’t do movie previews/reviews back-to-back, but since DC and Marvel decided to duke it out this July at the box office, what’s a geek to do? I checked with my wife to see if I was allowed to go out twice in a month, even on a work night, and I was given the green light! Cool.

As you are well aware, The Fantastic Four: First Steps is the third MCU film to be released this year, after Captain America: Brave New World and Thunderbolts*, in addition to being the 37th film in the franchise. In New Zealand, the film opened on Thursday 24th July, which is a day before it opened in the United States. There were no advanced screenings for the film; however, I have obtained a ticket for Tuesday 29th, because, say it with me, I’m a geek.

For the uninitiated, this will be the fifth live-action movie featuring Marvel’s First Family, which includes The Fantastic Four (1994, an unreleased movie), Fantastic Four (2005), Fantastic Four: Rise of the Silver Surfer (2007), and Fantastic Four (2015). This, of course, does not include the Mister Fantastic cameo in Doctor Strange in the Multiverse of Madness, or the Fantastic Four references throughout Deadpool & Wolverine, along with the Human Torch cameo.

Since 20th Century Fox owned the movie rights to the Fantastic Four and other characters related to them, they produced Fantastic Four, Fantastic Four: Rise of the Silver Surfer, and Fantastic Four, with the 2015 version being a reboot. I’ll be coming back to these films for further discussion, so in the interest of speeding up the writing process, I’ll refer to Fantastic Four as 2005, Fantastic Four: Rise of the Silver Surfer as 2007, Fantastic Four as 2015, and The Fantastic Four: First Steps as 2025. Clear as mud?

The original 1994 film has never been released, and its history is too stupid to really mention, so we’ll just move on and not mention it again.

To lay some groundwork, Disney purchased 20th Century in 2019, and since Disney owns Marvel, it has given Marvel the first real opportunity to bring the Fantastic Four into the MCU; although Namor, a traditional Fantastic Four friend/enemy, was introduced in 2022’s Black Panther: Wakanda Forever.

The Fantastic Four were first introduced in…would you believe, The Fantastic Four #1, back in 1961, so comic book fans are well-versed with the characters and their powers. In saying that, the 2025 movie has been a long time coming.

We know that the cast has Reed Richards / Mister Fantastic (Pedro Pascal), Sue Storm / Invisible Woman (Vanessa Kirby), Johnny Storm / Human Torch (Joseph Quinn), Ben Grimm / The Thing (Ebon Moss-Bachrach), Harvey Elder / Mole Man (Paul Walter Hauser), Shalla-Bal / Silver Surfer (Julia Garner), H.E.R.B.I.E. (Humanoid Experimental Robot B-Type Integrated Electronics) being voiced by Matthew Wood, and arguably, the big attraction, Galactus, played by Ralph Ineson.

I believe the film’s budget was about $200 million, similar to Thunderbolts* and the expectations for 2025 to be a success at the box office, and with critics and fans is high, considering Superman is soaring, and recent MCU films like Thunderbolts*, Captain America: Brave New World, and The Marvels have not fared too well.

Will The Fantastic Four: First Steps be the first great step into Phase Six? Let’s not watch the paint dry because, It’s clobberin’ time!


Credit: Lego and Disney/Marvel Studios

Am I looking forward to watching The Fantastic Four: First Steps?

I always ask this question, and the answer is always yes. Apart from the two cameos from Mister Fantastic in Doctor Strange in the Multiverse of Madness and The Human Torch in Deadpool & Wolverine, we have not had a film where the Fantastic Four are set in the MCU.

As I understand it, the film is set on Earth-828, which is in the MCU’s multiverse, so at some point, the Fantastic Four will interact with the main MCU characters on Earth-616. This was hinted at with the end-credit scene in Thunderbolts*.

Like many other comic book fans, I was excited about 2007 to see the Devourer of Worlds, Galactus, in all his immense glory. However, in my personal opinion, instead of portraying a gigantic man, towering above buildings and wearing a ridiculous helmet, the studio opted for the safer, but less accurate adaptation of Galactus by presenting him as a world-eating cloud entity. It was a disappointment to say the least.

But do not despair, because in this movie, the God of Oblivion will be presented as comic book accurate as possible, with a live-action performance from Ralph Ineson, as an enormous man, rocking one of the coolest headpieces in pop culture.

To be honest, I’m going to the movie to see the Fantastic Four, but the main draw for me is Galactus. I’ve always believed, and others seem to agree, that Galactus transcends concepts of good and evil. He simply exists as a force of nature and cannot be defined by human morals.

If a lion is chasing a zebra, the zebra perceives the lion as evil. The lion is trying to kill the zebra, which places the lion as a villain and the zebra as a victim, or at the very least, a heroic figure.

However, from the lion’s perspective, it does not see itself this way. The lion is a carnivore, so if it does not hunt, kill and eat prey, it will die of starvation, and so will its family. The lion is simply operating as it was born to do, which is similar to Galactus.

If Galactus marks a planet for consumption of its life force, the sentient organisms of that planet will view Galactus as the ultimate villain. He is going to destroy their world, lives, art, history, culture and everything else, because he wants to. To them, Galactus is evil personified.

And just like the lion, Galactus does not see himself like that; he’s beyond this. Galactus is cursed with a hunger that can only be sated by the consumption of a planet’s life force. The greater the amount of life on a planet, the greater the substance for Galactus. If Galactus does not consume planets, he will die. To him, he is simply doing what he needs to do to survive.

This makes him a fascinating antagonist, because yes, he commits evil and villainous acts, but it’s not because he’s evil. If he does not destroy worlds, he will die. Galactus is choosing to live, which means all life in the universe needs to fear his arrival, or pray he never finds them.

This, of course, brings us to the Silver Surfer. The original Silver Surfer in the comics and in 2007 was Norrin Radd, who was a native of the planet, Zenn-La. Eventually, Galactus came knocking on Zenn-La’s door, so Radd offered him a deal: if Galactus left Zenn-La alone, along with his lover/wife, Shalla-Bal, Nadd would serve Galactus by seeking out other worlds for him.

The Devourer of Worlds agreed to this and shared a part of the power that he has, the Power Cosmic, and transformed Nadd into the Silver Surfer, the Herald of Galactus. As the Silver Surfer, Nadd travels the universe, seeking out worlds with an abundance of life for his master’s diet, although Nadd tries to get around this by supplying Galactus with planets that support little or no life.

In 2025, Julia Garner plays the Silver Surfer, but she is also Shalla-Bal. Whether her origin is explained or her connection to Norrin Radd is revealed or mentioned remains to be seen.

Over the years, the Silver Surfer has rejected Galactus numerous times, as well as seeking out adventure in the universe, by redeeming themselves by helping and saving lives, using the Power Cosmic. To me, the Silver Surfer is on a never-ending quest to gain back their soul by correcting their past mistakes; it’s a great character. In saying that, the character has probably changed since I read about them.

To some people in the universe, the Silver Surfer is just as guilty as Galactus for the destruction of planets. Yes, it’s true that the Silver Surfer personally does not consume a planet, but they identify the planet and reveal its location to Galactus. Whether Galactus would ever find that particular world, with or without the Silver Surfer’s assistance, is moot when it is being consumed.

The Silver Surfer offers us an amazing moral dilemma: to protect and save your family and loved ones, would you sacrifice millions of worlds and billions of sentient life-forms, in order to maintain their protection? Would you sacrifice your soul, or even a part of it, to protect the people you love, but at the cost of billions, if not trillions of people? Could you trade a planet for a person?

This awkward and complicated question of morality is presented to us in the most often mocked and ridiculed literature, which to some, is viewed as intellectually inferior or only for children: comic books.

What is the movie about?

According to Marvel.com, the premise is this:

Set against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel Studios’ ‘The Fantastic Four: First Steps’ introduces Marvel’s First Family—Reed Richards/Mister Fantastic, Sue Storm/Invisible Woman, Johnny Storm/Human Torch and Ben Grimm/The Thing as they face their most daunting challenge yet.

What can we expect?

The running time is 114 minutes, which means it’s less than Captain America: Brave New World and Thunderbolts*.

In the teaser trailer and following trailers, we have been given footage of the various members of the Fantastic Four. The 2005 and 2007 special effects for Reed, Sue, and Johnny were fine for their time, with 2015 improving on them.

2005 had a budget of around $100 million, 2007 had $130 million, while 2015 had $120 million to work with. Because 2025 has the backing of Disney, bankrolling $200 million, we should expect some upgraded visuals, especially with Mister Fantastic.

To add to this, The Thing looks amazing! 2005 and 2007 required Michael Chiklis to wear practical effects to be The Thing, but for 2015‘s Thing, Jamie Bell’s performance was motion-capture. Ebon Moss-Bachrach’s portrayal of the Blue-eyed lovin’ thing was another motion-capture performance, but this version of the Thing looks a lot more comic-accurate than others presented before.

There should be great detail in examining the different relationships within the family, as well as how they interact with each other. Reed will be clever, but aloof, Sue will be caring and strong, Johnny will be a joker and playboy, and Ben…well, he’s the nemesis of the Yancy Street Gang, isn’t he?

I can also imagine the destruction caused by Galactus will be impressive, along with his size and his spaceship, Taa II. Because of the retro-futuristic aesthetics and the Silver Surfer’s visuals, we can expect to see some wonderful scenes.

This incorporates witnessing people displaying elasticity, flight, projections, invisibility, superhuman strength, H.E.R.B.I.E., and a glimmering woman on a silver surfboard that can fly. These powers should be eye candy for us.

Now, to the best of my knowledge, I have never issued a prediction for any of the movie previews before, but with 2025, I’m going to make an exception. Fuelled by the end-credit scene in Thunderbolts*, featuring a spaceship with a “4” logo on it, and the threat of Galactus, I’m wondering if Marvel is going to break something that can’t be fixed.

I think, maybe, that Galactus will win and destroy the Earth, leaving the Fantastic Four to flee to another universe, using Reed’s technology, or someone else’s powers. It would be a bold move from Marvel, but considering Galactus is such a threat, they may want to explore this by having the heroes lose.

This way, when the Fantastic Four visit Earth-616, they will be more determined to fight harder and redeem themselves, because they failed to prevent their own Earth from being destroyed. It’s just an idea, but it would shake up the MCU, and that could be a positive thing, with no time travel or rock collection that could alter it.

The last thing I want to discuss is the Fantastic Four’s fifth member. No, I’m not talking about H.E.R.B.I.E., though that would be funny. I’m talking about Franklin Richards, the son of Sue and Reed, who possesses abilities not limited to matter and energy manipulation, flight, teleportation, reality warping, precognition, astral and energy projection, telepathy, telekinesis, time-travel, and durability. Essentially, Franklin is like a Swiss Army knife; he can do anything he wants.

Two pieces of information have led me to Franklin’s admission in this section of the preview. Firstly, the details about Reed and Sue in 2025 were released to explain that they were married, then she was pregnant, and finally, she would give birth to Franklin. I don’t know what the time frame of the film is, but I remember reading these reports, along with the trailers, to identify this fact:

One of the most powerful characters in Marvel Comics, Franklin Richards, would be in the film.

The other piece of information is Galactus’ appearance. Based on a trailer I’ve seen, I have two different theories about why Galactus has arrived at Earth.

Theory A: The Silver Surfer finds Earth as per her instructions to locate planets full of life. She alerts Galactus, who turns up for a snack, then detects Franklin’s power level, and is open to giving Reed and Sue a deal, to trade Franklin for the Earth. He did it with the Silver Surfer; he can do it again.

Theory B: Using his ultra-high tech on his spaceship and the Power Cosmic, Galactus detects Franklin’s power level. He orders the Silver Surfer to pinpoint Franklin’s location to find and capture him. The Fantastic Four offer a tiny amount of resistance, but he offers Reed and Sue a deal to trade Franklin for the Earth. He did it with the Silver Surfer; he can do it again.

The question of whether Galactus was aware of Franklin’s power level before the film began is irrelevant. At a certain point during the movie, Galactus knows about Franklin’s abilities and presents his parents with a dilemma: Will they choose to save Franklin or the Earth?

The only reason I know this is because in one of the trailers, Reed is talking to the media about the proposal, which they rejected. Now, whether this was a positive or negative move from Marvel to include this key plot point in a trailer, once again, remains to be seen.

Do I have concerns?

Of course I do, I wouldn’t be a geek if I didn’t. In my defence, though, I always have concerns about comic book movies. Nevertheless, let’s proceed with my concerns for the 37th MCU film.

  • Where is the film’s continuity in the MCU?
  • Does Galactus destroy the Earth, or will he be defeated by the Ultimate Nullifier?
  • Will the dialogue between the members of the Fantastic Four be smart, witty, and heartfelt, or will it tank?
  • Considering the movie takes place on another Earth, will there be any main MCU cameos or references?
  • Will the Yancy Street Gang appear? Please be a yes!
  • Does Franklin develop and grow super quickly?
  • How large a role will H.E.R.B.I.E. play?
  • Will the origin of the Fantastic Four be explained as being set in the present, but with a flashback, or will the characters gain their powers in Act 1, then have a time jump to progress the story?
  • Are Reed and Sue aware of Franklin’s abilities? Do they witness him doing things or just detect his power level using technology?
  • Will the Silver Surfer betray Galactus?
  • Will there be any Negative Zone, Doctor Doom, Annihilus, or Valeria Richards references?
  • For Galactus’ origin, how will it be explained?
  • On Earth-828, is Reed considered to be the smartest person on the planet?
  • Does Johnny say “Flame On!” to activate his powers?

Ok, I believe that’s it, provided I don’t think of anything new. Are you planning on watching The Fantastic Four: First Steps? As always, please let me know.

I seem to be closing these vanity musings in a similar vein lately, but I meant it. Please look after yourselves. The world this week was full of scandals, controversies, border conflicts, solar and wind storage capacities, genocide, trade arguments, high food prices, passport designs, and an AI penis. It can be bleak, but not all is lost; it never is.

This may sound tired and cliché, but hundreds of millions of people around the world feel the same way, and that’s ok. It means you’re not alone, you’re never alone.

Thanks once again for reading, following, and subscribing to Some Geek Told Me. Remember to walk your dog, read a banned book, and if you’re feeling down, watch the South Park Season 27 premiere; I promise you’ll feel better. Hang in there, and I’ll see you next week for The Fantastic Four: First Steps-Movie Review.