Step right up, step right up for another blog post detailing how humanity can cure cancer, solve climate change, and understand why children are weird. Oh, wait, I can’t answer any of those questions, sorry. At least not today.
Diving into the nearly five-year-old bag of suggested topics from the staff at Some Geek Told Me, I have selected a topic that, every six months or so, I decide to write, but talk myself out of it. However, the die has been cast, and the wait is over.
As hardcore followers of this amateurish attempt to educate people, you will know that this geek suffers from a Shakespeare affliction. I can’t recite speeches or explain what the hell the characters are saying. Though, to be fair, what I can do is explain the plots and the themes. Well, to be honest, it’s what I think the themes are, so I could be 80% wrong.
Granted, the works of William Shakespeare have lasted over 400 years, much to the disappointment of all secondary school students studying English. I love the motivations behind characters, both heroes and villains, as well as how relevant the stories can be to contemporary audiences.
Watching a Shakespearean movie or attending one of his plays automatically engages my brain to sit up straight, focus, listen, and try to keep up. Over the years, this has led the plays to be adapted into various media like movies, comics, novels, and TV shows, among others.
Some adaptations would keep Shakespeare’s language of Early Modern English, while others would use Modern English, but still keep to the plot. Some adaptations are set in 16th-17th-century Europe, others in modern times, while others are set somewhere in between or earlier.
For today’s lecture, we are going to look at one group of these adaptations: the movies. Typically, it’s quite easy to identify a Shakespeare movie adaptation, because of its name: William Shakespeare’s Romeo + Juliet, Henry V, Othello, Richard III, Hamlet, and Coriolanus, to select but a few.
They are direct adaptations, or as close as a film production can allow. However, young grasshopper, there are a small group of movies that are indirect adaptations of one of Shakespeare’s plays, but they are not advertised as that, for whatever reason. Several films can fit into this niche, so this blog post will be the first of many; the single consideration is that I’ll try very hard to only have one movie per play.
So, for your reading pleasure, I have collected four examples of movies that are secretly Shakespeare adaptations. I hope you enjoy this as much as I did writing it. Let’s begin now.

West Side Story (Romeo and Juliet)
We are going to start with a very obvious one, and for good reason. West Side Story was originally a musical adaptation of Romeo and Juliet, which had opened on Broadway in 1957. The production was a huge success, so a film was produced, based on the musical.
The film was released in 1961, which is what we will be comparing. In the Upper West Side of Manhattan, New York City, in 1957, is where we lay our scene. In comparison, Romeo and Juliet was written sometime between 1591 and 1595.
Both stories deal with star-crossed lovers, in the form of Romeo Montague and Juliet Capulet, along with Tony (Richard Beymer) and Maria (Natalie Wood) from West Side Story. The House of Montague and the House of Capulet are feuding families in Verona, with Romeo and Juliet belonging to opposite houses.
Maria’s older brother, Bernardo (George Chakiris), is the leader of the Sharks, a teenage street gang, looking to control the Upper West Side. The Jets are a rival gang of which Tony was a co-founder and former member.
Trying to keep the warring families at bay in Romeo and Juliet is Prince Escalus, with the equivalent being two characters, Lieutenant Schrank (Simon Oakland) and Sergeant Krupke (William Bramley) in West Side Story. Other similar characters are Mercutio, Romeo’s friend, and Riff (Russ Tamblyn), best friend to Tony; Tybalt, Juliet’s cousin, is Bernardo; while Count Paris, Juliet’s suitor, is Chino Martin (Jose De Vega).
The two stories follow events to their tragic conclusion, but with a subtle difference. In Romeo and Juliet, Mercutio is slain by Tybalt, Tybalt is then slain by Romeo, Paris is killed by Romeo, and both Romeo and Juliet kill themselves. Both Houses are in mourning, and thus, the feud ends.
In West Side Story, Riff is murdered by Bernardo, who, in turn, is killed by Tony. However, you are expecting Tony to kill Chino, but it’s the opposite; Chino shoots and kills Tony. Maria threatens to kill Chino, the Jets, and the Sharks because of their hatred, which has taken the lives of Riff, her brother, and her lover. In the end, she backs down, but she ultimately survives the carnage, and the feud ends.
On a personal note, Romeo and Juliet is often described as the world’s greatest love story. It’s not the ultimate love story; it’s one of the world’s greatest tragedies. Much like West Side Story, love, violence, hatred, and prejudice are woven into both tales to tell and explore the human experience. West Side Story is a love story as well as a tragedy. Tony dies, but Maria lives, so hope remains. As for Romeo and Juliet, their tragedy is complete, for never was a story of more woe, than this of Juliet and her Romeo.
The Lion King (Hamlet)
I’m sorry to point this out and possibly damage your childhood, but I am not the first person to say this; the story of The Lion King is actually Hamlet in disguise. Wait, just hear me out.
This tragedy has a prince who goes into mourning as his father, the king, has died. The prince’s uncle, his father’s brother, ascends the throne. The prince goes into exile with two friends and returns years later to a kingdom that is rotten.
If you had thought I had just explained Simba’s story when it came out in 1994, you would be correct; however, it also mirrors Hamlet’s journey, which was written between 1599 and 1601. The stories share characters and their equivalents, with Simba (Hamlet), Mufasa (King Hamlet), Scar (Claudius), Nada (Ophelia), and Zazu (Polonius), along with Timon and Pumbaa (Rosencrantz and Guildenstern).
Even though the early 17th-century royal court of Denmark is swapped for the plains of the Serengeti in Tanzania, the plots have parallel events, though not entirely. Both kings are murdered by their brothers, who take the throne and are terrible rulers; both kings appear as ghosts to their sons and give advice; Simba and Hamlet have a love interest in Nada and Ophelia, respectively; both princes go into exile; and Scar and Claudius both die at the end.
Disney could have gone all in with a more accurate adaptation with Simba killing Nala’s father by accident; Simba’s mother, Sarabi, marries Scar; Nala commits suicide by drowning; Simba goes mad with grief and vengeance; another pride of lions invades and takes over the Pride Lands; and lastly, Sarabi, Scar, and Simba, all die in the closing scene. It would have been a beautiful nightmare, with Simba/Hamlet’s story haunting a generation of children, all over the world.
10 Things I Hate About You (The Taming of the Shrew)
Viewed through a contemporary lens, The Taming of the Shrew can be some what problematic, considering it was between 1590 and 1592, when it was written. However, that did not stop Hollywood from having a crack at it. Back in 1999, 10 Things I Hate About You was released, and even though the titles were different, it was based on The Taming of the Shrew.
I hope the Bard can forgive me for breaking his comedic play down like this, but The Taming of the Shrew was set in Padua, Italy, where we met a nobleman, Baptista Minola, who has two daughters, Katherina and Bianca. Many suitors would like to marry Bianca, but her father has decreed that Bianca can only get married when Katherina does, but no man wants to because of her assertiveness, along with her quick and sharp wit.
Some plans focus on the suitors Hortensio and Gremio, but also include Lucentio, who also wishes to marry Bianca, and Petruchio, tasked with wooing Katherina. Typical Shakespearean romantic mischief ensues, with everyone ultimately finding love.
10 Things I Hate About You shares many plot points, names, and characters with The Taming of the Shrew. The film is set around the students who attend Padua High School. Walter Stratford (Larry Miller) has two daughters, and you guessed it, Katarina (Julia Stiles) and Bianca (Larisa Oleynik). Like a similar decree from Baptista Minola, Walter explains that Bianca is only allowed to date when her older sister does.
Enter Cameron James (Joseph Gordon-Levitt), who has fallen for Bianca, so he enlists help from Patrick Verona (Heath Ledger) to woo the anti-social Katherina, so Cameron can date Bianca. By the end of the film, everybody is happy like a 90s high school film should be. It also had a Shakespeare reference with Sonnet 141.
O (Othello)
If you have been keeping score, and why wouldn’t you be, we have discussed two tragedies and one comedy. I’m a bit inclined to favour the tragedies, since they can teach us a lot about ourselves. Case in point, here is another tragedy, Othello.
Written about 1603, the story of Othello is a blueprint of having it all and losing it to jealousy. It’s a cautionary tale about Othello, a military commander, who is tricked and manipulated by one of his lower-ranked officers, the traitorous Iago, into believing that his wife, Desdemona, is having an affair with another officer, the loyal Michael Cassio.
In some academic and literary circles, Iago is considered to be the worst villain in all of Shakespeare’s works, and it’s not a surprise; he ruins lives. By the end of the play, Iago had murdered his wife, Emilia, and Roderigo (a nobleman), while stabbing Cassio, but not fatally. Othello had murdered Desdemona by smothering her, because of Iago’s lies, then realised Iago was behind it all, and stabs him, but he survives.
Othello then commits suicide by stabbing himself. Iago is arrested and taken away, but famously refuses to explain his motivations. Othello has mischief and hijinks, but it is not comedic; it’s just fraught with paranoia and jealousy.
Like 10 Things I Hate About You, O is set in modern times, with American teenagers. Mekhi Phifer stars as Odin (Othello); Josh Hartnett as Hugo (Iago); and Julia Stiles is back again, but this time she plays Desi (Desdemona). We also have Andrew Keegan as Michael Cassio (Michael Cassio), Elden Henson as Roger Calhoun (Roderigo), Rain Phoenix as Emily (Emilia), John Heard as Bob Brable (Brabantio, Desdemona’s father), and Martin Sheen as Coach Duke Goulding (The Duke of Venice).
The story of O does not centre around soldiers and officers, but rather high school basketball players and students. O follows the events of Othello, with Hugo manipulating people and events, but the end is still the same. Hugo shoots and kills Roger, along with his girlfriend, Emily. Odin strangles Desi to death, then shoots himself after learning that his friend, Hugo, had caused all of the chaos. Hugo, vowing not to reveal his motivations, is arrested by the police.
As I said earlier, many more films have been based, even loosely, on Shakespeare’s works, and this blog post will return to discuss more of them. But like I also said, only one movie per play, so Romeo and Juliet, Hamlet, The Taming of the Shrew, and Othello are done, with more to follow.
Do you have a favourite movie that is secretly a Shakespeare adaptation? As always, please let me know.
That’s it for me this week. Thanks again for reading, following, and subscribing to Some Geek Told Me. Please remember to walk your dog, read a banned book, donate to a food bank, and I’ll see you next week, where I discuss comics for a change.










You must be logged in to post a comment.