The Hellboy: The Crooked Man Comparison

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I realise not every person on the planet gives a damn about elections, least of all elections in another country. Because of that amazing observation, and to take my little mind off it, I’ve decided to create an original blog post. Something similar, but different. Like Pepsi and Pepsi Max, Rugby Union and Rugby League, Salt and Vinegar chips and Sour Cream…wait. That last example is completely wrong.

I’ve stumbled through previews and reviews before, but I have never compared mediums when it comes to an adaption. Whether this is a smart idea or not, I’ll let my Chief Consultant of Bad Ideas be the judge of that.

As loyal and attentive readers know, I’m a fan of the Right Hand of Doom, otherwise known as Big Red, Anung Un Rama, and of course, Hellboy. I’ve been wasting money reading and collecting Hellboy comics for decades. Remember, I’m a geek, so it’s in the name. I even have a Right Hand of Doom money bank. It has no coins in it, but it still looks cool.

This means I have also seen Hellboy’s three live-action movies, along with the two lesser-known animated films. Like I said before, I’m a geek.

I’ve just seen Hellboy: The Crooked Man at my local cinema. Now I know it’s had a limited release around the world, and especially across New Zealand. It’s so limited that my local cinema only had one screening of it: 7.45 pm on Halloween. When I discovered that the screening was going to be rarer than seeing Donald Trump’s tax records, I knew I had to go.

Only three people were in the theatre for it, myself included, which was both a positive and negative experience.

Before we begin, this intellectual entertainment offering will not be reviewing the film as such like previous reviews, but rather comparing the source material to the adaption. This is new for me as well, and just like many things in life, we will have to see whether it’s a stupid idea or not.

I will add my thoughts about the future of the movie franchise at the bottom if I can remember.


Credit: Mike Mignola & Richard Corden/Dark Horse Comics-Millennium Media/Dark Horse Entertainment

Clear as mud? Great, let’s establish the mediums first. In 2008, Dark Horse Comics released Hellboy: The Crooked Man #1-3, which was a limited series, running from July to September. Mike Mignola, Hellboy’s creator, was the writer, with Richard Corben supplying the art.

Hellboy: The Crooked Man was released on the 8th of October 2024 in the United States, written by Christopher Golden, Mike Mignola, and Brian Taylor; with Taylor serving as the director. It was released by Millennium Media and Dark Horse Entertainment.

Right off the bat, I think the movie is a faithful adaptation of the comics, regardless of what you think of the movie itself. Having said that, there are always subtle and creative changes when translating a story into another medium. Always has been and always will be.

At least to me, the comics and the movie differ in three different ways. Firstly, is the opening for the comic, where you have Hellboy wandering about the Appalachian Mountains alone, when he meets Tom Ferrell after Hellboy had finished with some stuff down South, as explained.

As for the movie, Hellboy is travelling on a train with BPRD agent Bobbie Jo Song, and another government agent. They were transporting some type of supernatural evil spider, so of course the spider broke loose, the train carriage derailed, and Hellboy and Song ended up in the Appalachian Mountains.

The second major difference was true fanboy service. During the movie, Hellboy receives a vision of a witch on fire, alongside a giant raven, who is a devil. Hellboy sees her later on and interacts with her. It turns out the witch is his mother, Sarah Hughes, and the devil is his father, Azzael. The vision, which is like a flashback, retells Sarah’s descent into Hell to be with her lover, Azzael, who turns directly to Hellboy and speaks to him.

In the comics, a similar scene unfolds where Hellboy falls asleep in the church where he first appeared in 1944. During his dream, he sees a witch repenting, however, a giant devil comes to claim her and her unborn child, addressing Hellboy and referring to him as, “…my favourite son.”

The difference here is that this scene did not happen in Hellboy: The Crooked Man limited series, but rather in Dark Horse Presents 1000 #2 (1995). It gives a great origin for the character, but it happened in a different comic.

The third major difference is the confrontation between Tom and Hellboy against The Crooked Man (Jeremiah Witkins) in his mansion. In the comics, Witkins was already injured and weakened from the church fight, so when Tom and Hellboy arrived at his mansion, he had reverted to his true form, which was a demonic crab-type creature. Tom throws his witchbone; which was the source of the shenanigans to start with, at Witkins, who vanishes back to Hell.

The movie is different, because why would I be talking about this if it wasn’t? The movie features Tom and Hellboy arriving at the mansion, with Song and Reverend Watts running about in the coal mines underneath.

Song and Watts’ mission was added to the movie, along with the extended goal of locating and destroying Witkins in the mansion. The comic displayed it as a straightforward operation, whereas the movie presented it as a final boss battle. It seemed Witkins was a lot more powerful in the movie than in the comics, but you need to make the villain a real threat to the heroes, so I get it.

Like I said, I think the movie is a fairly accurate and faithful adaption of the comics, so I was impressed with that. Considering Mignola was a co-writer of the script, you would expect it to be.

Now remember, that this blog post was comparing the comics and the movie, and not reviewing the movie itself. For that, you should seek out a real professional journalist, and not amateur hour with Some Geek Told Me.

However, and here it comes, I’ll say this. The movie is different from the three previous entries, mainly for two reasons. The first is that the film’s budget was only $20 million, compared to Hellboys (2004) $60–66 million, Hellboy II: The Golden Armys $82.5–85 million, and Hellboy‘s (2019) $50 million. If you have less money to work with than previous films, the sets, CGI, actors, and practical effects will look and sound different.

The other random thing to consider is that the three previous movies in the Hellboy series have all centred on Hellboy saving the world, from the likes of Grigori Rasputin and the Ogdru Jahad, Prince Nuada and the Golden Army, and of course, Nimue the Blood Queen and her minions.

Hellboy: The Crooked Man gave us a version of Hellboy, who was not fighting to save the world, but rather centred on fighting to save one person, Tom Ferrell. If you’re a fan of the Hellboy movies, then this movie appears to be lacking by not turning the stakes up high, like trying to save the world.

But I would argue that this Hellboy presents a more honest version of the character, because he’s the world’s greatest paranormal investigator. This means he runs into ghouls, demons, ghosts, devils, monsters, vampires, witches, and everything else.

Not all of his missions require the world to be saved; it’s personal, like trying to save a person, a family, or a town. Comic book fans would back me on this, I’m sure! Maybe, if I say pretty please?

Also, if this is the future of Hellboy movies, I’m ok with that. I would rather see a live-action version of Hellboy like this or a live-action TV show, than no Hellboy at all.

Have you read Hellboy: The Crooked Man or seen the movie? How did they compare? As always, please let me know your thoughts.

So that’s another rant finished for another week. Thanks again for reading, following, and subscribing to Some Geek Told Me. And I’m going to repeat this for a third week in a row, but please remember to walk your dog, read a banned book, and if you’re a US citizen, please vote for Kamala Harris.

I want to see Donald Trump complain and whine about how his life is so unfair. Please, America, kick that man to the curb. For the world’s sake, please vote for Kamala Harris.

Take care and I’ll see you next week.